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Sociological Study of analyses of Memory and its images in Korea and Japan

韩国和日本记忆及其图像分析的社会学研究

基本信息

批准号：
20730342
负责人：
YANG Insil
金额：
$ 0.92万
依托单位：
Ritsumeikan University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Young Scientists (B)
财政年份：
2008
资助国家：
日本
起止时间：
2008 至 2009
项目状态：
已结题

项目摘要

This study focuses on the question of how the written and visualized memories of ex-colonizers in the post-war era are understood and received in both former colonies and former suzerain. Since 2008, I have written several articles based on archival materials and case I have collected. I will look at Japan and Korea from right after the WW2 until the early 1960s, as it was the time when many film makers crossed the border despite the absence of diplomatic relations between two countries and brought written and visualized experiences and memories of colonies. In order to see how films taken by colonizers have been watched and accepted in Japan and Korea, I took a contextual approach to visual media by considering both personal background of the subjects and social atmosphere of the time. My findings are as following. First, so many editing has been done on the films on Japanese in Korean colonies in order not to intensify ongoing controversy on perception of colonial history between two countries. Second, these films often used a woman as a central character under themes of motherhood and love in order to emphasize "universal value/common value" shared in both countries, so that they could avoid unnecessary criticism due to a difference in perception of history. And lastly, these films were shot already before the diplomatic normalization of Japan and Korea in 1965, film makers of Korean resident in Japan (zainichi) played an important role for these films to be shown in both countries. However, further study is necessary to understand the film experience of Japanese in Korea as well as the activities of the film makers of Korean resident in Japan in both countries in the 1960s.

本研究的重点是前殖民地和前宗主国如何理解和接受战后时代前殖民者的书面和视觉记忆。自2008年以来，我根据自己收集的档案材料和案例写了几篇文章。我会从二战后一直到1960年代初看日本和韩国，因为那时许多电影制作人尽管两国之间没有外交关系，但还是跨越国界，带来了关于殖民地的书面和视觉化的经验和记忆。为了了解殖民者拍摄的电影在日本和韩国是如何被观看和接受的，我通过考虑拍摄对象的个人背景和当时的社会氛围，对视觉媒体采取了情境方法。我的发现如下。首先，对朝鲜殖民地日本人的电影进行了如此多的剪辑，以免加剧两国之间关于殖民历史认知的持续争议。其次，这些电影常常以女性为中心人物，以母爱为主题，强调两国共有的“普世价值/共同价值”，避免因历史观不同而受到不必要的批评。最后，这些电影是在1965年日韩邦交正常化之前拍摄的，旅日韩国人的电影制作人（在日）为这些电影在两国放映发挥了重要作用。然而，需要进一步研究以了解日本人在韩国的电影经历以及 20 世纪 60 年代居住在日本的韩国电影制片人在两国的活动。