Fundamental Research on Handscrolls of Buddhist Teachings

这个项目涉及中世纪日本手卷的功能，这些手卷是基于佛教教义(Kyosetsu Emaki)的。我分析他们的文字和形象，以及相关的佛经。在本研究期间，我共检视(1)镰仓时期的恩玛王宫廷刻画，深受《白虎书》等Mikkyo-Zuzo-Shu收藏的深奥佛教艺术的影响。因此，人们可以发现这些手卷的制作与《十王经》插图的影响之间的关系(从晚唐到宋代有几本幸存的经卷)在绍朱莱戈寺的六界悬卷中可以清楚地观察到。从这个连接(3)，班大纳贡佛像与净土佛教艺术共享相同的肖像图案，例如那些代表六界的艺术。这最后一点在以前的学术研究中被忽视了。这项研究的一部分已经在出版物中公开，例如ShoJuraigoji版本的六界绘画中的Enma国王的宫廷：来自Yamaraja(Enma-ten Mandala)曼德拉的影响

This project concerns the functions of medieval Japanese handscrolls that are based on Buddhist teachings (Kyosetsu emaki). I analyze their texts and images, as well as related Buddhist sutras. During this research period, I examined a total of(1)Kamakura-period depictions of King Enma's Court are deeply influenced by Esoteric Buddhist art collected in Mikkyo-zuzo-shu such as “Hakuhokusho.” Thus, one can detect arelationship between the production of these handscrolls and the(2) Influences from the illustrated scrolls of the Ten Kings Sutra (there are several surviving copies from the late Tang to Song dynasty) are clearly observed in the hanging scroll of the Six Realms at Shojuraigoji temple. From this connecti(3) The Ban Dainagon emaki shares the same iconographic pattern with Pure Land Buddhist art such as those representing the Six Realms. This last point has been overlooked in previous scholarship.Portions of this research have been made public in publications such as “King Enma'sCourt in the Six Realms Paintings of the Shojuraigoji Version : Influences from the Mandala of Yamaraja (Enma-ten Mandala）” Kyoritsu joshi daigaku Bungei ga