The integration of through-composition with player collaboration. The realisation of three key works.

贯穿创作与玩家协作的整合。

• 批准号: AH/G013152/1
• 负责人: Peter Wiegold
• 金额: $ 2.08万
• 依托单位: Brunel University London
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2009
• 资助国家: 英国
• 起止时间: 2009 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FG013152%2F1
• 关键词: integration; through; composition; player; collaboration.

Despite the experiments of the last 50 years, mainstream contemporary new music is still predominantly score-based, with a clear separation of the roles of composer, conductor and performer.Peter Wiegold is evolving a particular creative practice, working with mainstream musicians, that still includes a through-composed score, but then submits that to a process of realisation and improvisation, under his direction. This leads to a final result that, ideally, makes the best of the three key elements: pre-scored, set in rehearsal, improvised in performance.As leader of the process, Wiegold synthesises his roles of composer, creative director and conductor.This proposal involves the final realisation of three key works from Wiegold's last ten years, to be followed by a recording by NMC recordings. The works are 'Earth, receive an honoured guest' (2000 for cor anglais and string orchestra), 'Kalachakra' (2001, for 19 players) and 'Earth and Stars' (2006, for 12 players). The realisation process will be closely documented and analysed, including structured listening and interviews with key players. The results will be presented at a conference, and written up as part of a book Wiegold is preparing on 'creative leadership.'

尽管经历了过去50年的试验，当代主流新音乐仍然主要以乐谱为基础，作曲家、指挥家和表演者的角色明显分离。彼得·维戈德正在与主流音乐家合作，发展一种特殊的创作实践，其中仍然包括通过谱写的乐谱，但随后将其提交给在他指导下的实现和即兴创作的过程。作为这一过程的领导者，维戈德综合了他作为作曲家、创意总监和指挥家的角色。这一提议包括最终实现维戈德过去十年的三部关键作品，然后由NMC录音。作品有《地球，接待贵宾》(2000年，为英语和弦乐交响乐团而作)，《卡拉恰克拉》(2001年，19名演奏者)和《地球与星星》(2006年，12名演奏者)。实现过程将被密切记录和分析，包括结构化的倾听和对主要参与者的采访。研究结果将在一次会议上公布，并作为Wiegold正在准备的一本关于创造性领导能力的书的一部分。