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Multiplatforming Public Service Broadcasting: The Specialist Factual Independent Production Ecology in the UK's Digital Television Landscape

Multiplatforming Public Service Broadcasting: The Specialist Factual Independent Production Ecology in the UK's Digital Television Landscape
多平台公共服务广播:英国数字电视领域的专业事实独立制作生态
批准号:
AH/H018522/1
负责人:
James Bennett
金额:
$23.13万
依托单位国家:
英国
项目类别:
Research Grant
财政年份:
2010
资助国家:
英国
项目状态:
已结题
起止时间:
2010 至 --

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中文摘要
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英文摘要
This project investigates the changing production ecology of the UK's independent specialist factual production sector in relationship to the role and future of public service broadcasting (PSB) in the emerging digital television landscape. The digitalization of television, a process of switchover to be completed by 2012, brings with it better sound and visual quality, a growth in the number of channels available and increasingly 'converges' television's production practices, programming forms and audiences with other forms of digital media. From the development of websites associated with particular programs, through to the advent of interactive, mobile and online TV, television might be thought of as a 'multiplatform' experience. Television is no longer simply the 'box in the corner', but experienced and produced across a range of screens, sites and technological platforms. This expansion of channels and platforms brings about increased competition for audiences, who have seen their choices for how, when, where and what kind of television to watch expand dramatically. As a result, traditional broadcasters are experiencing a continuing decline in the number and amount of time audiences spend watching TV. This has called into question the role of PSB as a funding and regulatory model for UK television, with the media regulator, Ofcom, recently suggesting that the future of PSB is at a crossroads.Public service broadcasters are responding to these challenges with new commissioning, technologies and production strategies. Our study focuses on the BBC's and Channel 4's adoption of multiplatform production and commissioning strategies, which seek to exploit content and engage viewers across a range of digital media platforms. Such strategies not only produce new TV forms, but require new production practices. However, these changes and pressures are not only experienced by the broadcasters, but also by the independent television production sector, which increasingly includes digital media companies, which supply programs and content to them. This project seeks to understand the function both independent production companies and these multiplatform practices have in shaping the future of PSB in the digital age. We do this by firstly examining the role that specialist factual independent production companies play in contributing to the shifting characteristics of PSB in the UK. Secondly, we position this role in relation to the way in which the production cultures of this sector respond to and creatively negotiate the move to multiplatform television as part of the wider commercial, regulatory, technological and cultural challenges of the digital age. We examine specialist factual programming as a genre both traditionally associated with notions of PSB, but also recently ranked as one of those most highly valued by participants in Ofcom's first phase of its current PSB review. To do this, rather than simply examine the amount of specialist programming produced or the audience's reaction to it, we seek to unpick the industry's own understanding of this genre's role in contributing to distinctive characteristics of the UK's PSB landscape. By drawing on interviews with, and participant observation of, workers in the independent specialist factual production sector, as well as with commissioners and key players in the broadcasting industries, our research will establish what challenges and opportunities digitalization brings PSB. We then test these 'self-theorizations' by examining the programming practices and content of the independent sector, regulatory documents and discourses circulated within and by the television industry through trade journals, press releases and other trade artifacts. By disseminating this research to industry, regulators, audiences and higher education institutions, this project will therefore make an important contribution to understanding the future role and shape of PSB.
期刊论文(7)
专著(0)
科研奖励(0)
会议论文
Regaining the initiative for public service media: RIPE@2011
重新获得公共服务媒体的主动权:RIPE@2011
DOI: --
发表时间: 2011
期刊:
影响因子: --
作者: [Bennett, J]
通讯作者: Bennett, J
Multiplatforming public service broadcasting: The cultural and economic role of UK digital and television independents
多平台公共服务广播:英国数字和电视独立人士的文化和经济角色
DOI: --
发表时间: 2012
期刊:
影响因子: --
作者: [Bennett, J]
通讯作者: Bennett, J
Media Independence : Working with Freedom or Working for Free?
媒体独立:自由工作还是免费工作?
DOI: 10.4324/9781315776392
发表时间: 2014
期刊: International Communication Gazette
影响因子: 1.9
作者: [J. Bennett, Niki Strange]
通讯作者: Niki Strange
Production Studies, The Sequel
生产研究,续集
DOI: --
发表时间: 2015
期刊:
影响因子: --
作者: [Johnson, Catherine, Grainge, Paul]
通讯作者: Grainge, Paul
CoSTAR National Lab
  • 批准号:
    AH/Y001060/1
  • 项目类别:
    Research Grant
  • 资助金额:
    $6511.14万
  • 财政年份:
    2023
  • 负责人:
    James Bennett
  • 依托单位:
Evaluating people-environment trade-offs through low-tech intensification of livestock management in communal grazing systems in South Africa.
  • 批准号:
    BB/S014683/1
  • 项目类别:
    Research Grant
  • 资助金额:
    $86.13万
  • 财政年份:
    2019
  • 负责人:
    James Bennett
  • 依托单位:
StoryFutures: Gateway Cluster Partnership for Audiovisual Digital Creativity
  • 批准号:
    AH/S002758/1
  • 项目类别:
    Research Grant
  • 资助金额:
    $829.28万
  • 财政年份:
    2018
  • 负责人:
    James Bennett
  • 依托单位:
Multiplatforming Public Service Broadcasting: The Specialist Factual Independent Production Ecology in the UK's Digital Television Landscape
  • 批准号:
    AH/H018522/2
  • 项目类别:
    Research Grant
  • 资助金额:
    $16.41万
  • 财政年份:
    2011
  • 负责人:
    James Bennett
  • 依托单位:
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