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Networking the Bloc: International Relations and Experimental Art in Eastern Europe (1968-1981)

集团网络：东欧的国际关系和实验艺术（1968-1981）

基本信息

批准号：
AH/J008370/1
负责人：
Klara Kemp-Welch
金额：
$ 8.8万
依托单位：
Courtauld Institute of Art
依托单位国家：
英国
项目类别：
Fellowship
财政年份：
2013
资助国家：
英国
起止时间：
2013 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FJ008370%2F1
关键词：
Networking Bloc International Relations Experimental

项目摘要

The proposal is to complete a monograph entitled Networking the Bloc: International Relations and Experimental Art in Eastern Europe (1968-1981) surveying key instances of international exchange among East European unofficial artists in the period spanning the long decade between the Warsaw Pact troops' invasion of Czechoslovakia and the emergence of the Polish Solidarity movement. This time-frame is designed to coincide with the re-emergence of civil society in the region, post-thaw, taking as pivotal 'Basket Three' of the Helsinki Agreement (1975) guaranteeing the 'free movement of people and ideas' across divided Europe, to investigate both the opportunities for and impediments to these freedoms in the periods immediately preceding the Agreements and the changing position in the years that followed. The primary aim of the book is to chart a topography of experimental exchanges within the Soviet bloc itself, but the geopolitical scope of the material necessarily extends beyond the borders of the USSR and the Soviet Satellite countries to include important contacts with former Yugoslavia (independent of the USSR after 1948), Western Europe, the USA and Latin America. By weaving together minor narratives, Networking the Bloc seeks to reposition East-East exchange within a global art historical field and to challenge accounts of the late Cold War period that emphasize isolation over connectivity. Hungarian dissident György Konrád asked "How can we strengthen the horizontal human relationships of civil society against the vertical human relationships of military society?" in 1984. By then, I argue, experimental artists had been exploring such questions, in their own way, for two decades. The book explores how artistic ideas were relayed among like-minded artists across ideological and national frontiers in a period characterised by political polarisation and a network of censors, informers and secret police. The focus is on the following: the pioneers and publications that fostered and facilitated exchange; the places that served as hubs for personal encounters among artists and artistic propositions; the events that brought art and artists together in new constellations; artists' accounts of their excursions abroad and, finally, the experiences of émigré artists who were able to play a part in facilitating international collaboration and the circulation of materials in the Soviet bloc after having decamped to the West. Networking the Bloc will be a richly illustrated volume of around 100 000 words, to be published by MIT Press in 2018.

这项建议是完成一本题为“建立集团网络：东欧的国际关系和实验艺术(1968--1981)”的专著，调查从华约部队入侵捷克斯洛伐克到波兰团结运动兴起的漫长十年期间东欧非官方艺术家之间的国际交流的主要实例。这一时间框架是为了配合该区域民间社会在解冻后重新出现，以《赫尔辛基协定》(1975)保障人员和思想在分裂的欧洲范围内‘自由流动’为关键的‘篮子三’，调查这些自由在紧接协定之前的时期和随后几年的变化中的机会和障碍。这本书的主要目的是绘制苏联集团内部实验性交流的拓扑图，但材料的地缘政治范围必然超出苏联和苏联卫星国家的边界，包括与前南斯拉夫(1948年后独立于苏联)、西欧、美国和拉丁美洲的重要联系。通过将次要的叙事编织在一起，网络集团寻求在全球艺术史领域重新定位东方-东方交流，并挑战冷战后期强调孤立而不是互联互通的描述。匈牙利持不同政见者戈尔吉·孔拉德问道：“相对于军事社会的垂直人际关系，我们如何才能加强民间社会的横向人际关系？”1984年。我认为，到那时，实验艺术家以自己的方式探索这些问题已经有20年了。这本书探讨了在一个以政治两极分化和审查员、告密者和秘密警察网络为特征的时代，艺术思想是如何在思想和国家边界上的志同道合的艺术家之间传递的。重点放在以下几个方面：促进和促进交流的先驱和出版物；作为艺术家和艺术主张个人接触中心的地方；将艺术和艺术家聚集在新星座的活动；艺术家对他们出国旅行的描述；最后，能够在苏联集团内发挥促进国际合作和材料流通的作用的移民艺术家的经历。这是一本插图丰富的书，约10万字，将于2018年由麻省理工学院出版社出版。