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The Hospitality Project: Exploring hospitality as an arts-based praxis to remake relationships of co-production

酒店项目：探索酒店作为一种以艺术为基础的实践，以重塑联合制作的关系

基本信息

批准号：
AH/M009092/1
负责人：
Naomi Millner
金额：
$ 5.58万
依托单位：
University of Bristol
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2015
资助国家：
英国
起止时间：
2015 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FM009092%2F1
关键词：
Hospitality Project Exploring hospitality arts

项目摘要

The Hospitality Project is an arts-based research collaboration with Bristol-based community partners (Dignity for Asylum-Seekers, the Bristol Hospitality Network, and Barton Hill Walled Garden Project) which uses practices of hospitality as a prism through which to problematise and rework the power relations of co-production. The three partners are each committed to building a praxis of solidarity and co-production alongside asylum-seekers, migrant communities and people experiencing destitution. For each, 'hospitality' is both part of this praxis and a key site of tension. Hospitality means sharing food, space and time, and acknowledging the equality between those who give and those who receive. However, roles of giving and receiving can become quickly sedimented, and clashes occur when an act of giving is misunderstood. Linguistic barriers prevent clear communication, while, in residential environments the stress of sharing material resources can escalate into conflict. Members and service-users in the three organisations also articulate uncertainty over what is expected of them in different hosting contexts (eg. in homestay accommodation, in a Home Office interview) and how to communicate 'truth' across cultural barriers that remain invisible. Drawing on the PI and Co-Is' previous engagements with hospitality from theoretical, political, and cultural perspectives this project will actively mobilise such tensions by exploring hospitality as a 'praxis'. Specifically we will investigate how hospitality practices can be fashioned into a vehicle for making the power relationships of co-production visible and transformable. This means placing some faith in hospitality as a means of social transformation - not least because practices like sharing food allow material and 'more-than-human' actors to interrupt and reconfigure social relationships. On the other hand it also means recognising that hospitality is a complicated enterprise, entailing the negotiation of myriad cultural ideas and difficult situational decisions about common ownership of spaces, projects and organisations. To meet these aims, the project will be structured around the creation of a series of participatory arts-based workshops called 'the Table', culminating in an open event for the public. Drawing on the expertise of spoken word artists, the workshops will be co-designed around traditional hospitality practices: sharing food, cooking, and creating welcoming garden spaces. Within these contexts, reflexive storytelling will provide a flexible way for diversely-situated participants to address the complex ideas of hospitality, including (with the support of trained community interpreters) linguistic and cultural differences. Arts-based 'tactics' will be used to explore the background stories which place people in relation to each other, and how such stories may become open to change. Finally, the workshops will also be used to test out different 'rules' and 'rituals' for creating shared spaces without falling back on static host/guest relationships. At the end of the workshops, the majority of the participants in the Table workshops will attend an away weekend called 'the Feast,' where participants will reflect on the tactics and rules which have proven most effective, leading to the devising of a co-produced booklet. The publication of the booklet will be increasingly managed by volunteer peer researchers - participants from the workshops who will receive additional training - and will allow the knowledge produced to be communicated to other community organisations and professional bodies. The development of a dynamic website and the staging of a collaborative open event at the end of the project will allow a number of publics to be engaged by the knowledge produced, and will establish a basis for further research. The academic partners will also write up these reflections in the form of an academic paper on the 'arts of co-production'.

招待项目是一个以艺术为基础的研究合作与布里斯托尔为基础的社区合作伙伴（尊严的寻求庇护者，布里斯托招待网络，和巴顿山寨花园项目），它使用的款待作为一个棱镜的做法，通过它来解决问题和返工的合作生产的权力关系。这三个合作伙伴都致力于与寻求庇护者、移民社区和经历贫困的人建立团结和共同生产的实践。对每一个人来说，“好客”既是这一实践的一部分，也是紧张的关键所在。好客意味着分享食物、空间和时间，并承认给予者和接受者之间的平等。然而，给予和接受的角色会很快沉淀下来，当给予的行为被误解时，冲突就会发生。语言障碍阻碍了清晰的沟通，而在居住环境中，分享物质资源的压力可能升级为冲突。这三个组织的成员和服务用户还表达了在不同的托管环境中对他们的期望的不确定性（例如，在寄宿家庭的住宿，在内政部的采访），以及如何沟通'真相'跨越文化障碍，仍然是无形的。借鉴PI和Co-Is之前从理论，政治和文化角度与酒店的合作，该项目将通过探索酒店作为“实践”来积极调动这种紧张关系。具体来说，我们将研究如何款待的做法可以塑造成一个车辆，使合作生产的权力关系可见和可转化的。这意味着要对好客作为社会转型的一种手段抱有一定的信心--尤其是因为分享食物等做法允许物质和“超越人类”的行为者中断和重新配置社会关系。另一方面，这也意味着认识到酒店业是一项复杂的事业，需要就各种文化理念进行谈判，并就空间、项目和组织的共同所有权做出艰难的情境决定。为了实现这些目标，该项目将围绕创建一系列参与式艺术工作坊（称为“桌子”）展开，最终将为公众举办一场公开活动。利用口语艺术家的专业知识，这些研讨会将围绕传统的款待方式进行共同设计：分享食物，烹饪和创造温馨的花园空间。在这些背景下，反思性讲故事将为不同情况的参与者提供一种灵活的方式，以解决复杂的好客理念，包括（在训练有素的社区口译员的支持下）语言和文化差异。以艺术为基础的“策略”将被用来探索背景故事，这些故事将人们彼此联系在一起，以及这些故事如何变得开放的变化。最后，研讨会还将用于测试不同的“规则”和“仪式”，以创建共享空间，而不依赖于静态的主人/客人关系。在工作坊结束时，大多数参加工作坊的人将参加一个名为“盛宴”的周末，在那里，参加者将反思被证明最有效的策略和规则，从而设计出一本联合制作的小册子。小册子的出版将越来越多地由志愿同行研究人员-参加讲习班的人员将接受额外培训-管理，并将使所产生的知识传播给其他社区组织和专业机构。开发一个动态网站并在项目结束时举办一次合作性公开活动，将使一些公众能够参与所产生的知识，并将为进一步研究奠定基础。学术合作伙伴还将以“合作制作艺术”的学术论文形式撰写这些思考。