Distributed Listening - socially engaged art
分布式聆听——社会参与艺术
基本信息
- 批准号:AH/N00311X/1
- 负责人:
- 金额:$ 9.94万
- 依托单位:
- 依托单位国家:英国
- 项目类别:Research Grant
- 财政年份:2015
- 资助国家:英国
- 起止时间:2015 至 无数据
- 项目状态:已结题
- 来源:
- 关键词:
项目摘要
The 8 month impact proposal builds on past AHRC funded research into network music performance. Those results are here applied in a participatory theatre context. The main impacts consist of enabling theatre practitioners and participating communities to engage in network music performance strategies/technologies, normally only available in HE institutions. This engagement will have transformative qualities for relationships between sound, everyday life and mobile transmission technologies. The PI, a musician and theorist, investigated how performers make music together when not in the same physical space, specifically how they listen to each other. This research used different types of musical notation (3D rendered graphics, improvisational strategies, graphic scores). The PI carried out ca. 20 different types of network performances including performing with musicians in a virtual world. The experience of playing different types of music (strictly notated jazz tunes, guided improvisation, graphically scored music and entirely free improvisations) led to questions of who leads, conducts or makes decisions in a situation where several cities are connected with musicians in each place. It was found that physical absence of another performer allows musicians to focus closely on the relation with their instrument, their breathing and gestures; and finally, it ask performers to listen in quite different ways, what the PI terms 'distributed or network[ed] listening'. In the network musicians listen to their own sounds, to the sounds of remote performers, but also to sounds circulated through the network, which can be 'jittery' due to often fragile technical infrastructure. The network reveals subtle differences between being 'here' and 'there', between the 'self' and the 'other', between 'listening' and 'being listened to' and between body and instrument. This impact proposal aims to extract such type of fragile listening, 'distributed listening', to an environment outside the well-equipped university context. Therefore, we will develop a custom-designed app for mobile devices (smart phones) that allows young community participants to explore such listening, while at the same time enabling them to play and create together in a distributed setting. We have teamed up with two theatre companies, the Lyric Theatre, Belfast and 42nd Street, Manchester. 42nd Street is a young people's mental health charity providing innovative services to young people with mental health problems. Both companies regularly work with community participants, practising 'socially engaged arts', a form of active citizenship, art that intends to effect social change, that is artist-led and participant focussed. Both theatre companies have identified 20 young adults each who, during 8 weeks workshops will learn to use the app in order to create a creative theatre piece based on the idea of 'distributed listening'. Each city will create a context specific work, using the custom-designed app. Each community group will showcase their work in 2016. A video artist will accompany both companies' working processes, creating video diaries for documentation on the project's website. The custom-designed app will also be used for a one day of hands-on workshops with school children in Northern Ireland, taking place at the Science Festival, which is supporting this project. The final part of the project includes an impact conference where all participants from Manchester and Belfast will meet, and, alongside invited industry speakers, will share the project's creative outcomes, including the video diaries, the documented showcases and the app design.The project was developed in close communication between the named theatre companies, the PI, Co-I, the Science Festival, Arts & Business NI and the Young Vic, London, to ensure greatest possible impact and visibility.
8个月的影响提案建立在过去AHRC资助的网络音乐表演研究的基础上。这些结果在这里适用于一个参与性的戏剧背景下。主要影响包括使戏剧从业者和参与社区参与网络音乐表演战略/技术,通常只有在高等教育机构。这种参与将对声音、日常生活和移动的传输技术之间的关系产生变革性的影响。PI是一位音乐家和理论家,他调查了表演者在不在同一个物理空间时如何一起创作音乐,特别是他们如何互相倾听。这项研究使用了不同类型的乐谱(3D渲染图形,即兴策略,图形分数)。PI执行了CA。20种不同类型的网络表演,包括在虚拟世界中与音乐家一起表演。演奏不同类型的音乐(严格注释的爵士乐曲调,指导即兴,图形化的音乐和完全自由的即兴)的经验导致了在几个城市与每个地方的音乐家联系在一起的情况下谁领导,指挥或决策的问题。研究发现,另一位表演者的缺席使音乐家能够密切关注他们与乐器的关系,他们的呼吸和手势;最后,它要求表演者以完全不同的方式倾听,PI称之为“分布式或网络[艾德]聆听”。在网络音乐家听自己的声音,远程表演者的声音,但也通过网络传播的声音,这可能是'神经过敏',由于往往脆弱的技术基础设施。网络揭示了“在这里”和“在那里”之间,“自我”和“他人”之间,“倾听”和“被倾听”之间以及身体和乐器之间的微妙差异。这一影响提案旨在提取这种类型的脆弱的倾听,“分布式倾听”,到设备齐全的大学环境之外的环境。因此,我们将为移动的设备(智能手机)开发一个定制设计的应用程序,让年轻的社区参与者探索这种倾听,同时使他们能够在分布式环境中一起玩耍和创造。我们已经与两家戏剧公司合作,分别是贝尔法斯特的抒情剧院和曼彻斯特的42街。42 nd Street是一个年轻人的心理健康慈善机构,为有心理健康问题的年轻人提供创新服务。两家公司定期与社区参与者合作,实践“社会参与艺术”,这是一种积极的公民身份,旨在影响社会变革的艺术,由艺术家主导,以参与者为中心。两家剧院公司都确定了20名年轻人,他们将在8周的研讨会期间学习使用该应用程序,以根据“分布式广告”的想法创作创意戏剧作品。每个城市将使用定制设计的应用程序创建一个特定的工作环境。每个社区团体将在2016年展示他们的工作。一位视频艺术家将伴随两家公司的工作流程,为项目网站上的文档创建视频日记。定制设计的应用程序还将用于为期一天的动手讲习班,与北方爱尔兰的学童,在科学节,这是支持这个项目的地方。该项目的最后部分包括一个影响力会议,来自曼彻斯特和贝尔法斯特的所有参与者将会面,并与受邀的行业演讲者一起分享该项目的创意成果,包括视频日记,记录的展示和应用程序设计。该项目是在指定剧院公司,PI,Co-I,科学节,艺术与商业NI和年轻的维克,伦敦,以确保最大可能的影响和知名度。
项目成果
期刊论文数量(1)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
Distributed Participatory Design: The challenges of designing with physically disabled musicians during a global pandemic
分布式参与式设计:全球大流行期间与身体残疾音乐家一起进行设计的挑战
- DOI:10.1017/s1355771821000261
- 发表时间:2021
- 期刊:
- 影响因子:0.6
- 作者:Schroeder F
- 通讯作者:Schroeder F
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Franziska Schroeder其他文献
Inclusion in Northern Ireland - invited presentation: A portrait of art and disability support in Northern Ireland
北爱尔兰的包容性——受邀演讲:北爱尔兰艺术和残疾人支持的肖像
- DOI:
- 发表时间:
2019 - 期刊:
- 影响因子:0
- 作者:
Franziska Schroeder - 通讯作者:
Franziska Schroeder
Franziska Schroeder的其他文献
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{{ truncateString('Franziska Schroeder', 18)}}的其他基金
Bridging the Gap - visually impaired and sighted music producers working side by side
弥合差距 - 视障和视力正常的音乐制作人并肩工作
- 批准号:
AH/V011340/1 - 财政年份:2021
- 资助金额:
$ 9.94万 - 项目类别:
Research Grant
VRIMM: VR Inclusive Music Making, Northern Ireland
VRIMM:VR 包容性音乐制作,北爱尔兰
- 批准号:
AH/S010505/1 - 财政年份:2019
- 资助金额:
$ 9.94万 - 项目类别:
Research Grant
Immersion and Inclusive Music Performance
沉浸式、包容性的音乐表演
- 批准号:
AH/R009082/1 - 财政年份:2018
- 资助金额:
$ 9.94万 - 项目类别:
Research Grant
REAL-TIME PERFORMANCE IN VIRTUAL WORLDS:Studying Socio-Technical Environments through Multi-site Machinic Performance
虚拟世界中的实时性能:通过多站点机械性能研究社会技术环境
- 批准号:
AH/D000572/1 - 财政年份:2007
- 资助金额:
$ 9.94万 - 项目类别:
Fellowship
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