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REAL-TIME PERFORMANCE IN VIRTUAL WORLDS:Studying Socio-Technical Environments through Multi-site Machinic Performance

虚拟世界中的实时性能：通过多站点机械性能研究社会技术环境

基本信息

批准号：
AH/D000572/1
负责人：
Franziska Schroeder
金额：
$ 25.69万
依托单位：
Queen's University Belfast
依托单位国家：
英国
项目类别：
Fellowship
财政年份：
2007
资助国家：
英国
起止时间：
2007 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FD000572%2F1
关键词：
REAL TIME PERFORMANCE VIRTUAL WORLDS

项目摘要

This Fellowship examines music performance in networked environments, where the performance can be an improvisation, the playing of a notated score with other performers in a different physical location, and can even be a music performance staged within a virtual world, such as found in a gaming environment.The area of real-time networked music performance is a growing practice. Unfortunately it is under-explored by professional musicians, although computer network based practice has a drastic impact on the nature of music performance. It is therefore essential that in the shaping of future technologies and cultures the valuable practical considerations and critical reflections of a human performer be taken into account. Such practice-based approach stands in contrast to the conception of new systems according to the availability or ability of a certain technology.Networked performance environments raise practical and cultural issues that need to be addressed in order to better understand our engagement with technologies, their development, as well as their social and cultural impact.Some of those issues are the performer's and audience's experience of the performance, the type of language that may have to develop between performer and audience, the redefinition of performance in a virtual environment, as well as the cultural and technological implications of those environments.Music performance is a highly suited field for examining the social and cultural engagements in networked spaces, as it is the field where physical, time-based, subjective and inter-personal concerns are most apparent. By means of critical reflection on inherent meanings and on the social and cultural changes that network technology creates, the Fellowship will contribute to the advancement of our insights and understanding of socio-technical systems. The Fellow's practical performance skills and bodily knowledge, derived from her daily human-to-human interaction, provide excellent tools for addressing those questions.The proposed research will stage seven networked performances with local and international performers that will be recorded, edited and annotated.Ethnographically informed studies will be conducted in the form of interviews with performers and audiences in order to determine people's performance experience and their social engagement.The research will provide critical insight into social interaction and behaviour in virtual worlds and help us to better understand how music performance becomes altered in virtual spaces. Through regular public concerts, seminars and workshops, creative practice in musical networked performances will be disseminated. Insights into the nature of networked performance systems will thus be presented to performers, composers, theorists, the computer music community, and the listening public.The proposed Fellow is a professional performer of saxophone and a live improviser of international standing with a wide range of performing experiences that vary from orchestral playing to free jazz improvisation. The Fellow also has a strong background in theoretical writing and has published widely in conference proceedings and international journals. She is therefore highly suited to examine and question the impact that networked technology has on the area of music performance.

该奖学金研究网络环境中的音乐表演，其中表演可以是即兴创作，与其他表演者在不同的物理位置演奏乐谱，甚至可以是在虚拟世界中上演的音乐表演，例如在游戏环境中。实时网络音乐表演领域正在不断发展。不幸的是，专业音乐家对它的探索不足，尽管基于计算机网络的实践对音乐表演的性质产生了巨大的影响。因此，在塑造未来的技术和文化时，必须考虑到表演者的宝贵的实际考虑和批判性思考。这种基于实践的方法与根据某种技术的可用性或能力来构建新系统的概念形成了鲜明对比。网络表演环境提出了需要解决的实践和文化问题，以便更好地了解我们与技术的互动，它们的发展，以及它们的社会和文化影响。其中一些问题是表演者和观众的表演体验，表演者和观众之间可能需要发展的语言类型，在虚拟环境中表演的重新定义，以及这些环境的文化和技术含义。音乐表演是一个非常适合研究网络空间中的社会和文化参与的领域，因为它是物理，基于时间，主观和人际关系最明显的领域。通过对网络技术所带来的内在意义以及社会和文化变化的批判性反思，该研究金将有助于提高我们对社会技术系统的见解和理解。研究员的实际表演技能和身体知识，来自她日常的人与人的互动，为解决这些问题提供了很好的工具。拟议的研究将与当地和国际表演者一起举办七场网络表演，编辑和注释。民族志研究将以采访表演者和观众的形式进行，以确定人们的表演这项研究将为虚拟世界中的社交互动和行为提供重要的见解，并帮助我们更好地了解音乐表演如何在虚拟空间中改变。通过定期的公开音乐会、研讨会和讲习班，将传播音乐网络表演的创造性做法。因此，将向表演者、作曲家、理论家、计算机音乐界和听众介绍网络表演系统的本质。拟议的研究员是萨克斯管的专业表演者和国际地位的现场即兴演奏者，具有广泛的表演经验，从管弦乐演奏到自由爵士乐即兴创作。该研究员在理论写作方面也有很强的背景，并在会议记录和国际期刊上发表了大量文章。因此，她非常适合研究和质疑网络技术对音乐表演领域的影响。