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Architectural Models in context: creativity, skill and spectacle

背景下的建筑模型：创造力、技巧和奇观

基本信息

批准号：
AH/P01481X/1
负责人：
Simona Valeriani
金额：
$ 4.53万
依托单位：
Victoria and Albert Museum
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2017
资助国家：
英国
起止时间：
2017 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FP01481X%2F1
关键词：
Architectural Models context creativity skill

项目摘要

The proposed Network's central theme is to examine the role of architectural models within the creative process, consider ways in which architectural models can engage public audiences with key architectural and design issues, and explore how digital technologies for 3D modelling and imaging can be utilised in their display and interpretation. The Network will focus on the western tradition, from the early modern period to the contemporary. It will form the first phase of a major project to design and build a virtual museum of architectural models.In partnership with the Architectural Association (AA), RIBA, and the Sir John Soane's Museum, the Architekturmuseum, Technische Universität Munich, the MAP Laboratory, CNRS and Sorbonne, this network will connect users, ideas and objects in order to promote and support the use of models in academic research and public display. It will bring together experts on architectural models; identify resources on architectural models; and share experience of interpreting architectural models for non-expert audiences. In so doing, it will facilitate knowledge transfer, identify knowledge gaps, and lay the groundwork for future collaborations. The network will increase expert understanding which in turn will generate benefits for the various public audiences with which the professionals interact.Context:Architectural models are used throughout the design process. They include concept models, construction models, 1:1 models and presentation models. Although architectural models have much in common with other 3D representations, the complexity of representing a building, the public impact of permanent construction and specific questions of scale set them apart. Like architectural drawings, their significance is that they are tools for thought and communication; they help to make invisible design processes visible and they document moments of communication that are otherwise ephemeral. Unlike 2D depictions, however, they directly convey the embodied 3D qualities of a building and have, since the Renaissance, been seen as the most comprehensible form of architectural representation. Yet whilst the relevance of architectural models is acknowledged by a number of different research and practice-based constituencies: students, architects and designers who use them; model-makers who construct them; curators who look after, display and interpret them; conservators who maintain them; and academics who research them, to date, no forum for knowledge exchange exists; nor is there a comprehensive, searchable resource that lists or attempts to list the institutions in which such collections are housed.This project is timely for a number of reasons. Museums are showing a renewed interest in their model collections; digital modelling and 3D printing are diversifying the way that models can be generated, increasing their incidence in the creative field; and developments in 3D scanning are offering new modes of access to objects in storage (which models typically are). Finally, in a period of unprecedented urban expansion, many museums are prioritising architecture as a key area for public education and engagement and seeking innovative ways to display architecture within museum walls. Now is the ideal moment to harness this momentum.Three specialist workshops will bring together the different constituencies that use models: academics, architectural students and practitioners, curators and museum educators. The workshops will feature papers focusing on concrete case studies as well as model-making sessions to encourage understanding of embodied knowledge and practical thinking. Content will be disseminated online as well as through a scholarly publication. Each workshop will focus on a specific question:Workshop 1. What is an architectural model?Workshop 2. How do we make and use architectural models?Workshop 3. How do we interpret architectural models?

拟议的网络的中心主题是研究建筑模型在创作过程中的作用，考虑建筑模型如何让公众参与关键的建筑和设计问题，并探索如何利用数字技术进行3D建模和成像。网络将集中在西方传统，从早期现代时期到当代。该网络将成为设计和建造一个建筑模型虚拟博物馆的主要项目的第一阶段。通过与建筑协会（AA）、RIBA、约翰·索恩爵士博物馆、建筑博物馆、慕尼黑工业大学、MAP实验室、CNRS和索邦大学合作，该网络将连接用户，想法和对象，以促进和支持在学术研究和公开展示模型的使用。它将汇集建筑模型方面的专家;确定建筑模型方面的资源;并为非专家观众分享解释建筑模型的经验。在这样做时，它将促进知识转让，查明知识差距，并为今后的合作奠定基础。该网络将增加专家的理解，这反过来又将为专业人士互动的各种公众观众带来好处。背景：建筑模型在整个设计过程中使用。它们包括概念模型、构造模型、1：1模型和表示模型。虽然建筑模型与其他3D表示有很多共同之处，但表示建筑物的复杂性，永久性建筑的公共影响以及规模的具体问题使它们与众不同。就像建筑图纸一样，它们的重要性在于它们是思考和交流的工具;它们有助于使无形的设计过程变得可见，它们记录了交流的瞬间，否则这些瞬间是短暂的。然而，与2D投影不同的是，它们直接传达了建筑物的3D特性，自文艺复兴以来，它们被视为最容易理解的建筑表现形式。然而，虽然建筑模型的相关性得到了一些不同的研究和实践群体的承认：使用这些模型的学生、建筑师和设计师;建造这些模型的模型制作者;照看、展示和解释这些模型的馆长;维护这些模型的保护者;以及研究这些模型的学者，但迄今为止，还没有知识交流的论坛;也没有一个全面的、可搜索的资源来列出或试图列出这些收藏品所在的机构。这个项目是及时的，原因有几个。博物馆对其模型收藏重新表现出兴趣;数字建模和3D打印使模型的生成方式多样化，增加了它们在创意领域的影响力; 3D扫描的发展为访问存储中的对象提供了新的模式（模型通常是）。最后，在一个前所未有的城市扩张时期，许多博物馆都将建筑作为公众教育和参与的关键领域，并寻求在博物馆墙壁内展示建筑的创新方法。现在正是利用这一势头的理想时机。三个专业研讨会将汇集使用模型的不同群体：学者、建筑学生和从业人员、策展人和博物馆教育工作者。研讨会将以侧重于具体案例研究的论文为特色，并举行模型制作会议，以鼓励对具体知识和实践思维的理解。内容将在网上以及通过学术出版物传播。每个讲习班将侧重于一个具体问题：讲习班1。什么是建筑模型？讲习班2.我们如何制作和使用建筑模型？讲习班3.我们如何解释建筑模型？