'Project code-named Humpty': Creation, Destruction and Reconstruction. An art and archaeological science collaboration.

“项目代号Humpty”：创造、破坏和重建。

• 批准号: AH/R004846/1
• 负责人: Kate Johnson
• 金额: $ 10.18万
• 依托单位: University of Bradford
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2018
• 资助国家: 英国
• 起止时间: 2018 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FR004846%2F1
• 关键词: Project; code; named; Humpty; Creation

'Project code-named Humpty' [P c-n H] is a narrative art process, conceived by artist Kate Johnson in response to the wider goals of the 'Fragmented Heritage' [FH] project, awarded to archaeological sciences at the University of Bradford, under the umbrella of the theme: Digital Transformations. It is a project, delivered in 'chapters' bringing artist and archaeologists into a shared creative and scientific arena. A 10' high figurative sculpture has been created by the artist in clay. It will be cast in a uniquely developed material suitable for deliberate fragmentation over a precipice, with the purpose of yielding fragments which have not been influenced by an internal metal armature. Archaeologists will retrieve the fragments as if from an archaeological site and manually reconstruct the fragments, informed by innovative reconstruction and digital visualisation technologies they have developed on the FH project. When taken at face value, creating a monumental sculpture only to break it into pieces with the goal of putting the pieces back together again might seem a frivolous venture. Although the project involves some degree of risk, a frivolous undertaking it is not. P c-n H functions formally and conceptually and in its entirety, it is designed to allow for multiple layers of interpretation. It promotes reflection on our relationship with the objects we make, the nature of manual skill in a technological age as well as the nature of value and of beauty in relation to the art object. It concerns the paradoxes of human behaviour today and throughout the archaeological record. It will serve to strengthen the wider legacy of the Digital Transformations theme to the wider public as well as to heritage practitioners, curators, object handlers and excavators. P c-n H touches the core of the AHRC's ethos in supporting projects serving to enhance 'understanding of our times, our capacities and our inheritance'.In collaboration with Project Partner Bradford UNESCO City of Film, short films will be made documenting the process of the piece at each stage. The making of these films will give the artist and archaeologists opportunities for collaboration outside of academia. Engagement with the wider public will occur through the screening of the films in an open city space reaching an expected footfall of a minimum of 30,000. A live fragmentation/fragment retrieval event at Swinden Quarry accommodating a crowd of between 500 and 2000 people will incorporate crowd participation through music and the event will be filmed. P c-n H extends themes in contemporary art and importantly contributes to the growing genre of art and archaeology collaborative ventures whilst embracing wider interdisciplinary and non-academic communication.

“项目代号 Humpty”[P c-n H] 是一种叙事艺术过程，由艺术家 Kate Johnson 构思，以响应“碎片遗产”[FH] 项目的更广泛目标，该项目授予布拉德福德大学考古科学，主题为：数字化转型。这是一个以“章节”形式进行的项目，将艺术家和考古学家带入一个共享的创意和科学领域。艺术家用粘土创作了一座 10 英尺高的人物雕塑。它将采用独特开发的材料铸造，适合在悬崖上故意破碎，目的是产生不受内部金属骨架影响的碎片。考古学家将像从考古现场一样检索这些碎片，并利用他们在 FH 项目中开发的创新重建和数字可视化技术手动重建这些碎片。从表面上看，创造一个巨大的雕塑只是为了将其分解成碎片，然后再将碎片重新组合在一起，这似乎是一种无聊的冒险。尽管该项目涉及一定程度的风险，但它并不是一项轻率的任务。 P c-n H 在形式上和概念上以及整体上都起作用，它被设计为允许多层解释。它促进了对我们与所制作物品的关系、技术时代手工技能的本质以及与艺术品相关的价值和美的本质的反思。它涉及当今人类行为以及整个考古记录中的悖论。它将有助于向更广泛的公众以及遗产从业者、策展人、物品处理者和挖掘者加强数字化转型主题的更广泛遗产。 P c-n H 触及了 AHRC 精神的核心，即支持旨在增强“对我们的时代、我们的能力和我们的遗产的理解”的项目。与项目合作伙伴布拉德福德联合国教科文组织电影城合作，将制作短片记录每个阶段的作品过程。这些电影的制作将为艺术家和考古学家提供学术界之外合作的机会。电影将在开放的城市空间放映，与更广泛的公众互动，预计观众人数至少为 30,000 人。在斯温登采石场举办的现场碎片/碎片检索活动可容纳 500 至 2000 人，将通过音乐吸引人群参与，并且该活动将被拍摄。 P c-n H 扩展了当代艺术的主题，并为不断增长的艺术和考古学合作事业做出了重要贡献，同时拥抱更广泛的跨学科和非学术交流。

项目成果

Manual/Digital Interactions in 'Project code-named Humpty'

“代号 Humpty 的项目”中的手动/数字交互

• 发表时间: 2022
• 作者: Johnson, KM

Videobook of GKA Visual 2020 Virtual Conference ISBN: 978-84-15665-53-3

GKA Visual 2020 虚拟会议视频书 ISBN: 978-84-15665-53-3

• 发表时间: 2020
• 作者: Global Knowledge Academics

Proceedings GKA Visual 2020 ISBN: 978-84-15665-55-7

会议记录 GKA Visual 2020 ISBN: 978-84-15665-55-7

• 发表时间: 2020
• 作者: Global Knowledge Academics

Visual Heritage: Digital Approaches in Heritage Science

视觉遗产：遗产科学的数字方法

• 发表时间: 2022
• 作者: Wilson, A.S.