Mapping Music History

绘制音乐史

• 批准号: AH/S006354/1
• 负责人: Jonathan Hicks
• 金额: $ 4.59万
• 依托单位: Newcastle University
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FS006354%2F1
• 关键词: Mapping; Music; History

Historical musicologists are now paying greater attention to the geographical contexts in which past performances took place. Fuelled by the increasing accessibility of Geographic Information Systems (GIS) software, they can now also visualize and analyse complicated trends across time and place with greater ease than ever before. Building on work in contemporary music studies and urban sound studies, this network will ask what is at stake in turning to maps as objects and methods in music history and heritage. These questions are not merely methodological but also political. Part of the premise of this network is that cartography has never been innocent or neutral. Given that more and more musicologists are plotting their findings onto two-dimensional representations of the world, it is vital to establish a critical forum for the mapping of the musical practice - past, present and future.The network will take the form of four meetings bringing together participants from across disciplines (musicology, literature, theatre, architecture, geography, heritage, urban studies, digital humanities) and sectors (academic research, archives and museums, arts consultancy and urban planning). Newcastle University will host the first and largest meeting (c. 35 people), which will take stock of current work across the range of disciplines and professions represented in the network. Liverpool University will host the second, smaller meeting (c. 20 people), which will focus on heritage and tourism as contexts for mapping music history. Harvard University will host the third meeting (also c. 20 people), which will focus on music and colonial mapping in the long nineteenth century. The Bartlett School of Architecture at University College London will host the final meeting (again c. 20 people), which will focus on sound and urbanism as contexts for mapping music history.

历史音乐学家现在更加关注过去演出发生的地理背景。在地理信息系统（GIS）软件日益普及的推动下，他们现在也可以比以往任何时候都更轻松地可视化和分析跨时间和地点的复杂趋势。在当代音乐研究和城市声音研究工作的基础上，该网络将询问将地图作为音乐历史和遗产中的对象和方法所面临的风险。这些问题不仅是方法问题，而且是政治问题。这个网络的部分前提是，制图从来都不是无辜或中立的。鉴于越来越多的音乐学家将他们的发现绘制成世界的二维表示，建立一个关键的论坛来绘制音乐实践-过去，现在和未来-是至关重要的。该网络将采取四次会议的形式，汇集来自不同学科的参与者这些领域包括音乐学、文学、戏剧、建筑、地理、遗产、城市研究、数字人文科学等，以及学术研究、档案馆和博物馆、艺术咨询和城市规划等。纽卡斯尔大学将主办第一次也是最大的会议（c。35人），将评估网络中所代表的学科和专业范围内的当前工作。利物浦大学将主办第二次较小的会议（c。20人），这将侧重于遗产和旅游业作为映射音乐历史的背景。哈佛大学将主办第三次会议（也是c。20人），这将集中在音乐和殖民映射在漫长的十九世纪。伦敦大学学院巴特利特建筑学院将主办最后一次会议（再次c。20人），这将侧重于声音和城市化作为映射音乐历史的背景。