'Dramatising the home front: The lively politics of gendered militarism'
“戏剧化后方:性别军国主义的生动政治”
基本信息
- 批准号:ES/S011250/1
- 负责人:
- 金额:$ 9.75万
- 依托单位:
- 依托单位国家:英国
- 项目类别:Fellowship
- 财政年份:2018
- 资助国家:英国
- 起止时间:2018 至 无数据
- 项目状态:已结题
- 来源:
- 关键词:
项目摘要
My primary objective for this fellowship is to develop publications in high impact peer reviewed journals, which will be invaluable for my career development. These publications will be based on my doctoral research, an abstract for which can be found below:The figure of the military 'hero' is a powerful one in contemporary British politics. In what John Kelly (2012) refers to as the 'current hero-fication strategy', the hero soldier is made visible in even the most intimate and banal corners of everyday life. One simply has to look to the huge public support for the military charity Help for Heroes, the amputee Iraq war veteran on Dancing With the Stars, or disabled servicemen and women competing for their countries in the Invictus Games, to see how prominent the military hero has become in popular culture and the 'everyday'. But it is not an apolitical act to call someone a hero. Indeed, to name someone a hero simply by virtue of them being in the armed forces points to a much broader politics of the sovereign state, a politics which lies at the very heart of my doctoral research. My work therefore addresses three important questions: Who is this military hero? What does he represent? And, what are the conditions through which we come to recognise him? Using four diverse 'sites' to explore these questions, specifically the Plymouth military community theatre project Boots at the Door, the Invictus Games, Help for Heroes, and the Military Wives Choir, I argue that the harnessing of the military hero figure by the state takes place through complex, spatially and temporally situated negotiations. These negotiations mobilise not only the hero subject himself, but also figures such as the military wife. Overall, my research advances understanding of how contemporary war functions in part through the creation of a military hero in the national imagination. My second objective for this fellowship is to put in place the foundations necessary to conduct a planned future research project (beginning October 2019), which will focus on developing a theatre performance with military wives in Plymouth based on their lived experiences. This research will develop an alternative approach to the narrative of PTSD recovery often put forward in military community theatre, and will work with some of the unresolved politics and tensions surrounding military wives which I explore in my doctoral research.In order to put in place the necessary foundations for this research project and develop funding proposals, I will conduct a small amount of pilot of preparatory research with my existing contacts in the Plymouth Military Wives Choir. This will help me to more clearly flesh out the parameters of the project, and establish a firm group of participants. This pilot research will involve a series of interviews and focus groups with military wives, as well as putting on a 'Play in a Day' in collaboration with TR2 of the Theatre Royal, Plymouth. In addition, I will participate in theatre and improvisation courses during the duration of the fellowship, including the six week Suggestibles 'School of Improv' course (£80) and the 'Devised Theatre' workshops (free) at the Live Theatre, both in Newcastle upon Tyne. These training courses will help me to become more familiar with drama and theatre as both creative practice and social research method. Finally, I will hold an interdisciplinary workshop on creative methods in military studies in June 2019, which will invite researchers as well as creative arts practitioners into conversation in order to think about how creative methods can help us approach wider questions in military studies and veteran research. These activities will assist me in the development of grant proposals for awards from the ESRC and the Leverhulme Trust, which I will work towards in the later stages of the fellowship.
我的主要目标是在高影响力的同行评审期刊上发表文章,这对我的职业发展非常宝贵。这些出版物将基于我的博士研究,其摘要可以在下面找到:军事“英雄”的形象在当代英国政治中是一个强大的人物。在约翰·凯利(John Kelly,2012)所称的“当前英雄化策略”中,英雄士兵甚至在日常生活中最亲密和最平庸的角落都是可见的。人们只需看看公众对军事慈善机构“帮助英雄”的巨大支持,截肢的伊拉克战争老兵与星共舞,或者残疾军人和妇女在Invictus Games中为他们的国家竞争,看看军事英雄在流行文化和“日常”中变得多么突出。但称某人为英雄并不是一种无政治意义的行为。事实上,仅仅因为某人在军队服役就将其称为英雄,这表明了主权国家更广泛的政治,这是我博士研究的核心。因此,我的作品提出了三个重要问题:谁是这位军事英雄?他代表什么?那么,我们通过什么条件来认识他呢?使用四个不同的“网站”来探讨这些问题,特别是普利茅斯军事社区剧院项目靴子在门口,不可战胜的游戏,帮助英雄,和军嫂合唱团,我认为,利用国家的军事英雄人物发生通过复杂的,空间和时间上的谈判。这些谈判不仅动员了主人公本人,还动员了军人妻子等人物。总的来说,我的研究推进了对当代战争如何运作的理解,部分是通过在国家想象中创造一个军事英雄。我的第二个目标,这个奖学金是到位必要的基础进行计划未来的研究项目(2019年10月开始),这将侧重于开发戏剧表演与军人妻子在普利茅斯根据他们的生活经验。这项研究将开发一种替代方法来叙述创伤后应激障碍的恢复往往提出在军事社区剧院,并将与一些悬而未决的政治和紧张局势周围的军人妻子,我在我的博士研究中探索.为了把必要的基础为这项研究项目和发展的资金建议,我将与普利茅斯军嫂合唱团现有的联系人进行少量的试点准备研究。这将帮助我更清楚地充实项目的参数,并建立一个坚定的参与者群体。这项试点研究将涉及一系列的采访和重点小组与军人的妻子,以及把一个'发挥在一天'与TR2的剧院皇家,普利茅斯合作。此外,我将在奖学金期间参加戏剧和即兴创作课程,包括为期六周的Sugestibles '即兴'课程学校(80英镑)和'设计剧院'研讨会(免费)在现场剧院,无论是在泰恩河畔的纽卡斯尔。这些培训课程将帮助我更加熟悉戏剧和戏剧作为创作实践和社会研究方法。最后,我将在2019年6月举办一个关于军事研究中创造性方法的跨学科研讨会,邀请研究人员和创造性艺术从业者进行对话,以思考创造性方法如何帮助我们解决军事研究和退伍军人研究中更广泛的问题。这些活动将帮助我从ESRC和Leverhulme信托基金,我将在奖学金的后期阶段工作的奖项的赠款提案的发展。
项目成果
期刊论文数量(3)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
Unconquerable Heroes: Invictus, Redemption, and the Cultural Politics of Narrative
不可战胜的英雄:不屈不挠、救赎与叙事的文化政治
- DOI:10.1080/17526272.2019.1615707
- 发表时间:2019
- 期刊:
- 影响因子:0.4
- 作者:Cree A
- 通讯作者:Cree A
People want to see tears': military heroes and the 'Constant Penelope' of the UK's Military Wives choir
人们想看到眼泪”:军事英雄和英国军人妻子合唱团的“康斯坦特·佩内洛普”
- DOI:10.1080/0966369x.2019.1615414
- 发表时间:2019
- 期刊:
- 影响因子:0
- 作者:Cree A
- 通讯作者:Cree A
Sovereign Wives? An Emotional Politics of Precarity and Resistance in the UK's Military Wives Choir
君主的妻子?
- DOI:10.1093/ips/olaa013
- 发表时间:2020
- 期刊:
- 影响因子:2.4
- 作者:Cree A
- 通讯作者:Cree A
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Alice Cree其他文献
Alice Cree的其他文献
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{{ truncateString('Alice Cree', 18)}}的其他基金
Conflict, Intimacy, and Military Wives: A Lively Geopolitics
冲突、亲密关系和军人妻子:生动的地缘政治
- 批准号:
ES/T008334/1 - 财政年份:2020
- 资助金额:
$ 9.75万 - 项目类别:
Research Grant
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