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European Theatre(s) - Crossing Borders, Negotiating Boundaries, Circulating Legacies

欧洲剧院——跨越国界、谈判边界、传承遗产

基本信息

批准号：
1641497
负责人：
金额：
--
依托单位：
Royal Central School of Speech and Drama
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2015
资助国家：
英国
起止时间：
2015 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=studentship-1641497
关键词：
European Theatre Crossing Borders Negotiating

项目摘要

The traditional antagonism between British theatre and Continental European theatre approaches (signified by the aesthetics of "directors' theatre" and its ensemble mode of creation) has in the past five years been increasingly eroded by a range of influential theatre productions on British stages. These include the multi-national European co-production 'Three Kingdoms' and the 'Secret Theatre' ensemble season, both at the Lyric Hammersmith, and Flemish director Ivo van Hove's success at the Young Vic with Arthur Miller's 'View from a Bridge'. A generation of new British theatre makers (such as Joe Hill-Gibbins and Carrie Cracknell) have arrived at major theatres (National Theatre, Young Vic, RSC) with their work, which has absorbed impulses from contemporary Continental theatre aesthetics and 'directors' theatre'. Theatre of Europe adds to this field as a timely new theatre initiative. Funded by the European Commission and the network of European national cultural institutions EUNIC, it brings Continental European theatre makers to the UK to restage some of their seminal productions with a British cast, for UK audiences. Following a research and development period of two years, Theatre of Europe will formally launch in the 2014/15 season with projects by theatre directors from Germany, France, Cyprus, and Romania in their inaugural season. The European Theatre Research Network, a renowned and prominent research centre at the University of Kent, with its like-minded mission of cultural exchange between non-English European theatre and the Anglophone performing arts world, has established a formal research partnership with Theatre of Europe. Out of this emerges this collaborative doctoral project for PhD research on the topic 'European Theatre(s) - Crossing Borders, Negotiating Boundaries, Circulating Legacies'.For her research, the PhD student will have access to the ongoing activities of Theatre of Europe - workshops, rehearsals, and performances. She will observe the work, undertake interviews with the artists involved, and document and reflect on this unique and innovative theatre project as it grows. Based on this first-hand insight, and complemented with suitable additional case studies and/or historical research, the doctorate will chart and interrogate perspectives and problems of creating a sustainable collaboration and exchange between the different aesthetic and pragmatic theatre context in the UK and on the European continent. The project will thereby contribute to the growing body of English-language research and knowledge on European theatre practices. It will document, analyse, and make available to a wider public as well as for similar projects of trans-national theatre encounters the insight gained from Theatre of Europe's translation of existing non- English European theatre productions for a UK audience, with British theatre artists. At the same time, the student will gain added professional skills that will aid her prospects for a future career in academia, the theatre profession, or the wider cultural sector.The student will be supported by the substantial academic expertise of the European Theatre Research Network, and she will work directly with Artistic Director and CEO of Theatre of Europe, Henriette Morrison. Her research will contribute to the engagement of the UK theatre community as well as of theatre audiences and of a wider public with Theatre of Europe's ongoing work, giving the student the opportunity to disseminate her work in various public settings. The findings of her doctoral research will therefore not only analyse an emerging trans-national European theatre aesthetics of the 21st century, and contribute to its public understanding, it will also offer crucial reflections on the artistic and pragmatic measures necessary to internationalise the careers of theatre artists in this context, which will be of interest across the British theatre sector, and beyond.

在过去的五年里，英国戏剧和欧洲大陆戏剧方法之间的传统对抗（以“导演戏剧”及其合奏创作模式为标志）日益受到英国舞台上一系列有影响力的戏剧作品的侵蚀。其中包括欧洲多国联合制作的《三国演义》和《秘密剧院》合奏季，都在抒情汉默史密斯剧院举行，佛兰芒导演伊沃·货车·霍韦在《年轻的维克》和亚瑟·米勒的《桥上的风景》中取得了成功。一代新的英国戏剧制作人（如乔·希尔·吉宾斯和凯莉·克拉克内尔）带着他们的作品来到了各大剧院（国家剧院、年轻维克、皇家莎士比亚剧院），他们的作品吸收了当代欧陆戏剧美学和“导演剧院”的冲击力。欧洲戏剧作为一个及时的新戏剧倡议增加了这一领域。由欧盟委员会和欧洲国家文化机构EUNIC网络资助，它将欧洲大陆的戏剧制作人带到英国，为英国观众重新上演他们的一些开创性作品。经过两年的研究和开发期，欧洲剧院将于2014/15赛季正式推出，来自德国，法国，塞浦路斯和罗马尼亚的戏剧导演的项目将在他们的第一个赛季。欧洲戏剧研究网络是肯特大学一个著名的研究中心，其志同道合的使命是在非英语欧洲戏剧和英语表演艺术世界之间进行文化交流，它与欧洲戏剧建立了正式的研究伙伴关系。由此产生了这个合作博士项目的博士研究课题“欧洲剧院（S）-跨越国界，谈判边界，流通遗产”。对于她的研究，博士生将有机会获得欧洲剧院正在进行的活动-研讨会，排练和表演。她将观察工作，与参与的艺术家进行采访，并记录和反思这个独特而创新的戏剧项目，因为它的增长。基于这种第一手的见解，并辅以适当的额外的案例研究和/或历史研究，博士学位将图表和询问的角度和问题，创造一个可持续的合作和交流之间的不同审美和务实的戏剧背景在英国和欧洲大陆。因此，该项目将有助于增加对欧洲戏剧实践的英语研究和知识。它将记录，分析，并提供给更广泛的公众以及跨国戏剧遭遇的类似项目，从欧洲剧院为英国观众翻译现有的非英语欧洲戏剧作品中获得的见解，与英国戏剧艺术家。同时，学生将获得额外的专业技能，这将有助于她未来在学术界，戏剧专业或更广泛的文化领域的职业前景。学生将得到欧洲戏剧研究网络的大量学术专业知识的支持，她将直接与欧洲戏剧艺术总监兼首席执行官Henriette莫里森合作。她的研究将有助于英国戏剧界的参与，以及戏剧观众和更广泛的公众与欧洲剧院正在进行的工作，让学生有机会在各种公共场合传播她的工作。因此，她的博士研究结果不仅将分析21世纪新兴的跨国欧洲戏剧美学，并有助于公众的理解，它还将提供对戏剧艺术家在此背景下国际化所需的艺术和务实措施的重要思考，这将是整个英国戏剧界的兴趣，超越。