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The form and content of the early Soviet book: a study through the country's publishing industry institutions of the 1920s and 1930s

早期苏联书籍的形式和内容：对 20 世纪 20 年代和 1930 年代国家出版业机构的研究

基本信息

批准号：
1787390
负责人：
金额：
--
依托单位：
Courtauld Institute of Art
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2015
资助国家：
英国
起止时间：
2015 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=studentship-1787390
关键词：
form content early Soviet book

项目摘要

My PhD research is an inquiry into how Soviet artists, including those from outside the Constructivist camp, generally seen in Western scholarship as its exclusive innovators, have approached the topic of early Soviet book design. I will explore how the artists of varied theoretical and stylistic affiliations contributed to the issue of interrelation between form and content within the early Soviet book, in view of its multiple function as a tool of enlightenment, an instrument of agitation and a promoter of the Soviet regime's reputation abroad. The investigation will be carried out through a study of major institutions related to the country's burgeoning publishing industry. These will include the editorial processes within major publishing houses of Moscow and Petrograd/Leningrad, including The State Publishing House (Gosizdat), World Literature (Vsemirnaia literatura) and Academia; the international activity of the publishing branch of the All-Union Society for Cultural Relations with Foreign Countries (VOKS); and the teaching of graphic art and book design at The Higher Art and Technical Studios (VKhuTEMAS) and its successor, VKhuTEIN, both in Moscow and Leningrad.One of the artists, whose work will be reassessed in light of this research, is Vladimir Favorskii, a Soviet wood engraver, book artist and professor of the VKhUTEMAS's polygraphic faculty, who has been almost entirely overlooked in Western scholarship, and whose book-related activity throughout the 1920s was in many ways a lot closer to that of the Constructivists, than has generally been considered.

我的博士研究是调查苏联艺术家，包括那些来自构成主义阵营之外的艺术家，通常被西方学术界视为其独家创新者，如何接近早期苏联书籍设计的主题。我将探讨不同的理论和风格的艺术家如何有助于早期苏联书籍的形式和内容之间的相互关系的问题，鉴于其作为启蒙的工具，鼓动的工具和苏维埃政权的国外声誉的推动者的多重功能。这项调查将通过对与该国新兴出版业有关的主要机构进行研究来进行。其中包括莫斯科和彼得格勒/列宁格勒的主要出版社，包括国家出版社的编辑工作（Gosizdat），世界文学（Vsemirnaia literatura）和学术界;全联盟对外文化关系协会出版分支的国际活动;以及高等艺术和技术工作室的平面艺术和书籍设计教学（VKhuTEMAS）及其继任者，VKhuTEIN，都在莫斯科和列宁格勒。其中一位艺术家，他的作品将根据这项研究重新评估，是弗拉基米尔法沃斯基，一位苏联木雕师，书籍艺术家和VKhUTEMAS多功能学院的教授，他在西方学术界几乎完全被忽视，他在整个20世纪20年代与书籍有关的活动在许多方面都更接近于构成主义者，而不是通常被认为的。