A new kind of score: rethinking the relationship between composer, performer and technology

一种新型乐谱：重新思考作曲家、演奏家和技术之间的关系

• 批准号: 1930155
• 金额: --
• 依托单位: University of Birmingham
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2017
• 资助国家: 英国
• 起止时间: 2017 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-1930155
• 关键词: new; kind; score; rethinking; relationship

This practice-based research will explore new avenues for indeterminate composition made possible by tablet based score readers. I will be asking whether new innovations enable the development of a more fluid and dynamic relationship between composer, performer and technology. I will be producing a portfolio of works as well as initiating a dialogue with performers and documenting their feedback.Key research questions include: What criteria should be used to assess the success of performances? What approaches to performer preparation are most fruitful? How can the technology be made accessible to performers? This research will move towards a more nuanced integration of structure and content while usefully and provocatively challenging received ideas about the ontology of scores within the context of contemporary networked technology and devices.

这项以实践为基础的研究将探索新的途径，使不确定的组成可能基于平板电脑的评分阅读器。我会问，新的创新是否能使作曲家、演奏者和技术之间的关系更加流畅和动态。我将制作一个作品集，并与表演者进行对话，记录他们的反馈。主要研究问题包括：应该用什么标准来评估表演的成功？什么样的表演者准备方法最有成效？如何使表演者能够使用这项技术？这项研究将走向一个更细致入微的结构和内容的整合，同时有效地和积极地挑战收到的想法在当代网络技术和设备的背景下的本体分数。