Spanish art in Italian private and public collections. A history of taste from the Risorgimentoto the Roman exhibition of Spannish art in 1930

意大利私人和公共收藏的西班牙艺术。

• 批准号: 2202684
• 金额: --
• 依托单位: Durham University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2202684
• 关键词: Spanish; art; Italian; private; public

My proposal is the first extensive study of the story of Spanish art reception in Italy between Risorgimento and 1930 (the year of the Roman exhbition of Alessandro Contini Bonacossi's allegedly Spanish artworks, co-curated by two major critics of Italian and Spanish art, Roberto Longhi and Augustus Mayer.) By adopting a comparative approach regarding the more familiar British and French contexts, my proposal investigates how Spanish art was intrepreted through the lenses of Italian art criticism and curatorial choices; analysing what specificities of Italian dealership were when Spanish art was involved.

我的建议是对意大利复兴运动和1930年（罗马展览亚历山德罗·孔蒂尼·博纳科西的西班牙艺术作品的年份，由意大利和西班牙艺术的两位主要评论家罗伯托·隆吉和奥古斯都·迈耶共同策划）之间意大利对西班牙艺术的接受故事的第一次广泛研究。通过对更熟悉的英国和法国背景采取比较方法，我的建议调查了西班牙艺术是如何通过意大利艺术批评和策展选择的镜头进行诠释的;分析了西班牙艺术参与时意大利经销商的具体情况。