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Framing Totalitarianism: Language and Film in 1930s Nazi Germany

极权主义框架：20 世纪 30 年代纳粹德国的语言和电影

基本信息

批准号：
2237697
负责人：
金额：
--
依托单位：
Goldsmiths University of London
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2019
资助国家：
英国
起止时间：
2019 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2237697
关键词：
Framing Totalitarianism Language Film 1930s

项目摘要

My doctoral research examines the structural relationship between language and film in 1930s Nazi Germany. This thesis demonstrates the interdependence of language and film, elucidating the more complex mechanisms by which a totalitarian regime used the two most widespread means of communication for ideological coercion. By examining the language of public discourse and policy, and selected films including Luis Trenker's fables, Leni Riefenstahl's documentaries, and Veit Harlan's epics, the research demonstrates the different ways in which natural language was structurally manipulated in the public sphere and then transferred into film language, where it attained its maximum ideological effect. This effect goes beyond propaganda, constituting the aesthetics of negation: the visual manifestation of the inherently negative totalitarian ideology of the regime. This research will contribute to Linguistics and Film Studies by being the first to examine how language and film structurally interacted in 1930s Nazi Germany. The thesis will offer a more comprehensive understanding of how totalitarianism operated in the public sphere, providing a basis for further research on how we understand totalitarianism, from obvious totalitarian models to more implicit applications of totalitarian principles in language and film today.

我的博士研究考察了20世纪30年代纳粹德国语言和电影之间的结构关系。这篇论文论证了语言和电影的相互依赖，阐明了极权政权使用这两种最普遍的交流手段进行意识形态胁迫的更复杂的机制。通过考察公共话语和政策的语言，以及包括路易斯·特伦克的寓言、列尼·里芬斯塔尔的纪录片和维特·哈兰的史诗在内的电影，本研究展示了自然语言在公共领域被结构性操纵，然后转化为电影语言的不同方式，从而达到其最大的意识形态效果。这种效果超越了宣传，构成了否定的美学：政权固有的负面极权主义意识形态的视觉表现。这项研究将为语言学和电影研究做出贡献，因为它是第一个研究20世纪30年代纳粹德国语言和电影在结构上是如何相互作用的。这篇论文将对极权主义如何在公共领域运作提供更全面的理解，为进一步研究我们如何理解极权主义提供了基础，从明显的极权主义模式到今天语言和电影中极权主义原则的更隐含的应用。