On belonging, identity and affect: artistic representations of gender in late 20th century.

论归属、身份和情感：20 世纪末性别的艺术表现。

• 批准号: 2278027
• 金额: --
• 依托单位: Birkbeck, University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2278027
• 关键词: belonging; identity; affect; artistic; representations

This PhD will approach 'art' and 'identity' as types of social praxis investigated through archival material, tactile objects and aesthetics. To explore this ethical question, I will turn to specific examples of artistic representations of gender from the late 20th century to confront political and psychoanalytic notions of belonging. In doing this, I will open up a field of greater comparability between the past and present, allowing for an intricate history of society's formation and deformation of belonging. In taking Elspeth Probyn's definition that 'belonging expresses a desire for more than what is, a yearning to make skin stretch beyond individual needs and wants' , I intend to explore the different ways that visual material has considered gender, sexuality and identity for those who have been denied recognition in society. What is it to belong, or to find belonging, when denied recognition visually? Belonging relates to social locations; identifications and emotional attachments; entitlement and status; ethics and politics. How do individuals negotiate this loss of agency through modes of artistic freedom?

该博士将通过档案材料、触觉物体和美学来研究“艺术”和“身份”作为社会实践的类型。为了探讨这个伦理问题，我将转向 20 世纪末性别艺术表现的具体例子，以面对政治和精神分析的归属感。在这样做的过程中，我将开辟一个过去和现在之间具有更大可比性的领域，允许社会形成和归属感变形的复杂历史。按照 Elspeth Probyn 的定义，“归属感表达了对超越现状的渴望，渴望让皮肤超越个人的需求和欲望”，我打算探索视觉材料对那些在社会上被拒绝承认的人的性别、性取向和身份的不同方式。当视觉上无法识别时，归属感或找到归属感是什么？归属感与社会地位有关；身份认同和情感依恋；权利和地位；道德和政治。个人如何通过艺术自由的方式来应对这种代理权的丧失？