权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

Printmaking in the Kingdom of the Two Sicilies (1735-1799)

两西西里王国的版画（1735-1799）

基本信息

批准号：
2390316
负责人：
金额：
--
依托单位：
University College London
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2020
资助国家：
英国
起止时间：
2020 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2390316
关键词：
Printmaking Kingdom Two Sicilies 1735

项目摘要

My project focuses on printmaking in eighteenth-century Naples. In 1735, after almost two centuries of Spanish dominion, the two Sicilies (today Southern Italy) became an independent nation and the new French king understood the potential of printmaking for transforming Naples into a modern European capital. He founded a royal publishing house, the Stamperia Reale, and sponsored local artists to study in printing shops on the continent. Despite this importation of technologies and skill, however, prints produced in Naples by locals differed enormously from prints produced in Naples by foreigners, suggesting that the city's problematic relationship with printmaking had deeper cultural roots.I will analyse the output of both the Stamperia Reale and independent local publishing houses, such as the Stamperia Raimondiana or the businesses of the Hackert and Terres brothers. To do so I will carry out extensive research in archives and collections in Naples, bringing together the study of material objects with the theory-based approach that characterises UCL.With this project I will not only complicate and expand dominant narratives of printmaking as a central element in the development of modernity, but also shed light on the little-examined play of cultural relationships between European countries, broadening our understanding of the Enlightenment.

我的项目集中于18世纪那不勒斯的版画制作。1735年，经过近两个世纪的西班牙统治，两个西西里岛（今天的意大利南部）成为一个独立的国家，新的法国国王明白了版画制作的潜力，可以将那不勒斯转变为现代欧洲首都。他创办了皇家出版社Stamperia Reale，并资助当地艺术家到欧洲大陆的印刷厂学习。然而，尽管引进了技术和技巧，当地人在那不勒斯制作的版画与外国人在那不勒斯制作的版画有很大的不同，这表明这座城市与版画的问题关系有更深的文化根源。我将分析Stamperia Reale和独立的地方出版社（如Stamperia Raimondiana）的产出，或者哈克特（Hackert）和特雷斯（Terres）兄弟的业务。为此，我将在那不勒斯的档案和收藏中进行广泛的研究，将物质对象的研究与UCL特有的基于理论的方法结合起来。通过这个项目，我不仅会将版画作为现代性发展的中心元素的主流叙事复杂化和扩展，而且还会揭示欧洲国家之间很少被研究的文化关系，拓宽我们对启蒙运动的理解。