Rethinking hybridity: Organised cultural encounters in collaborative music practices between Amman, Beirut and Mannheim
重新思考混合性:在安曼、贝鲁特和曼海姆之间的合作音乐实践中组织文化相遇
基本信息
- 批准号:2390289
- 负责人:
- 金额:--
- 依托单位:
- 依托单位国家:英国
- 项目类别:Studentship
- 财政年份:2020
- 资助国家:英国
- 起止时间:2020 至 无数据
- 项目状态:已结题
- 来源:
- 关键词:
项目摘要
Music is central for understanding a society's cultural history and collective identity. Arabic music, with its Persian, Turkish and European cultural influences, shows how social movements and cultural dialogue are apparent in musical forms emerging from cross-cultural encounters. The use of diverse musical elements enable musicians in the diaspora to explore and construct new temporary identities reflecting not only current society but representing issues around 'home', difference and belonging. My project will look into the role that music plays in negotiating and forming these new identities. My aim is to address misrepresentations of Arab musicians in media reports and the way public stereotyping of migrant communities in Germany can be challenged through intercultural music projects - bringing together musicology, anthropology and critical media studies. To do so, I take a closer look at the emerging experimental music scene in Amman, Beirut and their diasporic communities in Germany. In discussing music-making across borders, I expand the concept of 'in-between' cultures (Slobin 1987), addressing the underlying dynamics of cultural exchanges across nation states. This involves examining new forms of collaboration of German and Arabic artists made available through digital networking, enabling the emergence of virtual and non-virtual publics. I also look into different forms of mobility that facilitate cross-border communication and sociability, such as online exchanges of musical material and migration. In the process of music production, how and to what extent do artists overcome spatial, material and aesthetic challenges to express commonality and conflict arising from intercultural exchanges? And what role do media texts play in the shaping of new intercultural formations in which the boundaries between cultural expressions are becoming increasingly blurred? To look deeper into these issues, I will focus on two phenomena. Firstly, how Arab music projects are represented in Germany, especially festivals and educational programmes that claim to be platforms for intercultural exchanges. Mannheim, with a large Turkish, Syrian and Nigerian migrant population, is home to Germany's first state-funded degree in world music and therefore particularly interesting as a field site. Furthermore, by interviewing musicians from Lebanon and Jordan, I enquire how musicians use self-exoticisms for their marketing and branding on the Euro-American music market. At the centre of my ethnography will be the festival project 'Planet Ears', a newly established platform for intercultural exchanges between Lebanon, Jordan and Germany which I have been involved with over the past year. Secondly, I look at cross-border collaborations in light of recent social movement and digital technology development, focusing on shared cosmopolitan aspirations and less on national identity of artists themselves to show the variety of intentions for intercultural music making besides radical political aims, as often depicted in local media reports. Looking at musicians with contrasting approaches to music making, I argue for a more nuanced narrative on displacement and cultural practices in diasporic communities. The current representation of difference with their frequent focus on political binaries and aspects of musician's identity, including ethnicity, race and gender, leads to problematic exoticisms. By talking to the artists themselves and finding out how networks are formed, I will critically reflect upon the variety of intentions and messages conveyed in music to contribute to the study of affinity intercultures and affective social formations in cosmopolitan communities at large. I believe that my research can contribute to a better understanding of new hybrid genres which represent neither mere otherness nor perfect harmony, but instead a dynamic expression of dialogue and conflict in an artist's socio-political reality.
音乐是理解一个社会的文化历史和集体认同的核心。受波斯、土耳其和欧洲文化影响的阿拉伯音乐,展示了社会运动和文化对话如何在跨文化接触中出现的音乐形式中表现出来。使用不同的音乐元素,使散居各地的音乐家能够探索和构建新的临时身份,不仅反映当前社会,而且代表围绕“家”,差异和归属的问题。我的项目将探讨音乐在谈判和形成这些新身份中所扮演的角色。我的目标是解决媒体报道中对阿拉伯音乐家的歪曲,以及通过跨文化音乐项目--将音乐学、人类学和批判性媒体研究结合在一起--挑战德国公众对移民社区的刻板印象。为此,我仔细研究了安曼、贝鲁特及其在德国的散居社区的新兴实验音乐场景。在讨论跨国界的音乐制作时,我扩展了“中间”文化的概念(Slobin 1987),解决了跨民族国家文化交流的潜在动力。这涉及到研究通过数字网络提供的德国和阿拉伯艺术家合作的新形式,使虚拟和非虚拟公众的出现成为可能。我还研究了促进跨境交流和社交的不同形式的流动性,例如在线交换音乐材料和移民。在音乐创作过程中,艺术家如何以及在多大程度上克服空间、物质和美学的挑战,表达跨文化交流中产生的共性和冲突?媒体文本在塑造新的跨文化形态中扮演着什么样的角色,在这种形态中,文化表达之间的界限变得越来越模糊?为了更深入地研究这些问题,我将重点关注两个现象。第一,阿拉伯音乐项目在德国的代表性,特别是声称是文化间交流平台的音乐节和教育方案。曼海姆有大量的土耳其、叙利亚和尼日利亚移民人口,是德国第一个国家资助的世界音乐学位的所在地,因此作为一个实地考察地点特别有趣。此外,通过采访来自黎巴嫩和约旦的音乐家,我询问音乐家如何使用自我异国情调的营销和品牌在欧美音乐市场。在我的民族志的中心将是节日项目“行星之耳”,一个新建立的平台,黎巴嫩,约旦和德国之间的文化交流,我一直参与在过去的一年。其次,我根据最近的社会运动和数字技术的发展来看待跨界合作,重点关注共同的国际化愿望,而不是艺术家本身的民族身份,以显示跨文化音乐制作的各种意图,除了激进的政治目的,正如当地媒体报道中经常描述的那样。看着音乐家与音乐制作的对比方法,我主张在流散社区的流离失所和文化习俗更细致入微的叙事。目前的差异与他们经常关注的政治二进制和音乐家的身份方面,包括民族,种族和性别的代表性,导致有问题的异国情调。通过与艺术家本人交谈,并找出网络是如何形成的,我将批判性地反思音乐中传达的各种意图和信息,以有助于研究大都市社区中的亲和力跨文化和情感社会形态。我相信我的研究可以有助于更好地理解新的混合类型,这些类型既不代表纯粹的他者性,也不代表完美的和谐,而是艺术家社会政治现实中对话和冲突的动态表达。
项目成果
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其他文献
吉治仁志 他: "トランスジェニックマウスによるTIMP-1の線維化促進機序"最新医学. 55. 1781-1787 (2000)
Hitoshi Yoshiji 等:“转基因小鼠中 TIMP-1 的促纤维化机制”现代医学 55. 1781-1787 (2000)。
- DOI:
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LiDAR Implementations for Autonomous Vehicle Applications
- DOI:
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2021 - 期刊:
- 影响因子:0
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吉治仁志 他: "イラスト医学&サイエンスシリーズ血管の分子医学"羊土社(渋谷正史編). 125 (2000)
Hitoshi Yoshiji 等人:“血管医学与科学系列分子医学图解”Yodosha(涉谷正志编辑)125(2000)。
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Effect of manidipine hydrochloride,a calcium antagonist,on isoproterenol-induced left ventricular hypertrophy: "Yoshiyama,M.,Takeuchi,K.,Kim,S.,Hanatani,A.,Omura,T.,Toda,I.,Akioka,K.,Teragaki,M.,Iwao,H.and Yoshikawa,J." Jpn Circ J. 62(1). 47-52 (1998)
钙拮抗剂盐酸马尼地平对异丙肾上腺素引起的左心室肥厚的影响:“Yoshiyama,M.,Takeuchi,K.,Kim,S.,Hanatani,A.,Omura,T.,Toda,I.,Akioka,
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Proton, alpha and gamma irradiation assisted stress corrosion cracking: understanding the fuel-stainless steel interface
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