Reframing the Third Generation of the Pre-Raphaelite Sisterhood: Gendered Revival of Early Pre-Raphaelitism in 1880-1920

重构第三代拉斐尔前派姐妹会：1880-1920年早期拉斐尔前派的性别复兴

• 批准号: 2448821
• 金额: --
• 依托单位: Royal Holloway University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2448821
• 关键词: Reframing; Third; Generation; Pre; Raphaelite

The aim of this research is to deepen the concept of 'third generation' of Pre-Raphaelite women artists and poets introduced by the art critics Jan Marsh and Pamela Gerrish Nunn, thus expanding the evolution of Pre-Raphaelitism as a movement. Therefore, I will consider the topic of femininity and womanhood in works produced by women artists and poets from the 1880s to 1910s, both as a response to and a means of collaboration with works of the Pre-Raphaelite male and female artists from the 1840s to 1870s. Not only will new names be added, such as Alice Meynell, Charlotte Mew, Michael Field and Florence Harrison, but new artistic forms will be regarded - poetry and illustrations will be considered alongside paintings. By looking at how these women depicted female subjectivity in comparison to their Pre-Raphaelite counterparts, I will be considering how the portrayal of the woman as subject differs from or agrees with the way this is conveyed in the works produced by previous male and female members of the movement.Due to the similarities between these artists' works and those of previous Pre-Raphaelite generations in both visual resemblance and themes, this research will argue that these female artists and poets, hitherto neglected, belonged to a later stage of this artistic and literary movement, and should not be disregarded when discussing the expansion of the Pre-Raphaelite movement. I will then be offering new insights to both the early and latest productions and artists, reconsidering how works by male and female artists can be viewed and perceived. In addition, by also using a practical approach, this interdisciplinary research invests in the recovery of literary and artistic works of women artists and writers, emphasising their importance in the Pre-Raphaelite context, and in the Arts and Literature of the late nineteenth/early twentieth centuries.

本研究的目的是深化艺术评论家简·马什和帕梅拉·格里什纳恩提出的“第三代”前拉斐尔派女艺术家和女诗人的概念，从而扩展前拉斐尔派作为一个运动的演变。因此，我将考虑19世纪80年代至19世纪10年代女性艺术家和诗人作品中的女性气质和女性气质这一主题，这既是对19世纪40年代至19世纪70年代前拉斐尔派男性和女性艺术家作品的回应，也是与之合作的一种手段。不仅将增加新的名字，如爱丽丝梅内尔，夏洛特缪，迈克尔菲尔德和佛罗伦萨哈里森，但新的艺术形式将被视为-诗歌和插图将被考虑与绘画。通过比较这些女性与前拉斐尔派女性的作品，我将思考她们对女性主体性的描绘与前拉斐尔派男性和女性的作品中所传达的方式有何不同或一致。由于这些艺术家的作品与前拉斐尔派的作品在视觉相似性和主题上都有相似之处，本研究认为，这些迄今被忽视的女性艺术家和诗人属于这一艺术和文学运动的后期阶段，在讨论前拉斐尔派运动的扩展时不应被忽视。然后，我将为早期和最新的作品和艺术家提供新的见解，重新考虑如何看待和感知男性和女性艺术家的作品。此外，通过使用实用的方法，这种跨学科的研究投资于女性艺术家和作家的文学和艺术作品的恢复，强调其在拉斐尔前派背景下的重要性，以及在十九世纪末/二十世纪初的艺术和文学。