Theory as Practice: The role of ornamentation and rhetorical devices as essential expressive elements in the keyboard works of J. S. Bach.

理论作为实践：装饰和修辞手段作为巴赫键盘作品中基本表达元素的作用。

• 批准号: 2460056
• 金额: --
• 依托单位: University of Glasgow
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2460056
• 关键词: Theory; Practice; role; ornamentation; rhetorical

By analyzing selected keyboard works of J. S. Bach I will reveal that real-note ornamentation and rhetorical figures and devices are essential to Bach's musical expression as they enhance and communicate its meaning. From its beginnings as an improvisatory phenomenon, ornamentation in Bach's music becomes a structural expressive necessity. I will identify the ornamental and rhetorical figures contained within the pieces and explain their expressive and interpretative possibilities in terms of a semiology of 'Affekt', implementing my findings in practice by creating audio recordings on period and modern keyboard instruments to make them accessible to scholars, performers and audiences.

通过对J. S.巴赫我将揭示，真正的音符演奏和修辞数字和设备是必不可少的巴赫的音乐表达，因为他们加强和沟通的意义。从一开始的即兴现象，在巴赫的音乐伴奏成为一个结构表达的必要性。我将识别作品中包含的装饰和修辞数字，并解释其表达和解释的可能性，在符号学的“阿菲克特”，通过创建时期和现代键盘乐器的录音实践中实施我的研究结果，使他们能够访问学者，表演者和观众。