Script-writing as Art Practice; The Unmade Film 'St Paul' by Pier Paolo Pasolini as the Heart of a New Trilogy.

剧本创作作为艺术实践；

• 批准号: 2480764
• 金额: --
• 依托单位: University of the Arts London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2480764
• 关键词: Script; writing; Art; Practice; Unmade

My interdisciplinary research spans scriptwriting and philosophical analysis. I propose that the un-filmed script for 'St Paul' (1977) by Pier Paolo Pasolini is the conceptual hinge that links together 'The Gospel According to Matthew' (1964) and 'Salo, or 120 Days of Sodom' (1975), constituting a previously undiscovered trilogy in Pasolini's work, thereby an original contribution to knowledge. I will argue they are thematically linked by notions of narrative, messianic time, kairos, apocalypse and eschatology, with the figure of St Paul philosophically and theologically central to this understanding. The recent philosophic work of Giorgio Agamben will provide the primary conceptual underpinnings to the research, further supported by readings of Walter Benjamin and Jacob Taubes who are both central to an understanding of Agamben's work. A theoretical text on the radical Pauline notion of kairos and its implications for Pasolini's cinema will be partnered with an original text-based work, an adaptation of Pasolini's script for 'St Paul'. Written in the form of a traditional film script this new work will utilise concepts inherent to Agamben's philosophy and current forms of art writing. It is within the historically defined notion of Pauline eschaton and apocalypse that this piece of writing will be developed. Working with methods of translation and adaptation inherent to Pasolini's and Agamben's thought, the practice-based film script of the PhD situates apocalyptical time within a contemporary context. The practice-based elements of the PhD will work to describe accurately and then imaginatively a contemporary situation with historical precedent. That of a society starting to consider an eschatological moment, and the necessity to move away from it.

我的跨学科研究涵盖剧本创作和哲学分析。我认为，未拍摄的脚本为“圣保罗”（1977年）的码头保罗帕是概念铰链，连接在一起的福音根据马修“（1964年）和”萨洛，或120天的所多玛“（1975年），构成了一个以前未被发现的三部曲在帕的工作，从而对知识的原始贡献。我认为，它们在主题上与叙事、弥赛亚时间、凯洛斯、启示录和末世论的概念有关，圣保罗的形象在神学和神学上对这种理解至关重要。乔治·阿甘本最近的哲学著作将为这项研究提供主要的概念基础，沃尔特·本雅明和雅各布·陶贝斯的作品也进一步支持了这一点，他们都是理解阿甘本著作的核心。一个关于激进的宝莲概念的理论文本及其对帕电影的影响将与一个基于原始文本的作品合作，这是帕为《圣保罗》改编的剧本。这部新作以传统电影剧本的形式写成，将利用阿甘本哲学中固有的概念和当前的艺术写作形式。这是在历史上定义的概念宝莲末世和启示，这件作品将发展。与帕和阿甘本思想中固有的翻译和改编方法一起工作，博士的基于实践的电影剧本将世界末日置于当代语境中。博士的实践为基础的元素将致力于准确地描述，然后解释与历史先例的当代情况。一个社会开始考虑一个末世的时刻，并有必要摆脱它。