Disrupting the Picturesque: Performing Dorothy Wordsworth's 1803 Tour Through Scotland

借鉴让-弗朗索瓦·利奥塔的“荒凉的风景”理论和让-吕克·南希的“毫无根据的形象”，这个项目将表演多萝西·华兹华斯苏格兰之旅（1803年）的关键时刻。我特别关注的是，在18世纪的绘画运动中，美学和视角如何继续划定土地和权力的边界。发展新的表演策略和理论框架植根于步行和重演，我将填充华兹华斯的“景观”与“崇高”的数字，以问题化的风景如画的价值;创造替代，交叉的方式感知和景观，以提供不同的未来。

Drawing on Jean-Francois Lyotard's theory of 'desolate landscape' and Jean-Luc Nancy's 'groundless image', this project will perform key moments from Dorothy Wordsworth's tour of Scotland (1803). In particular I am concerned with how aesthetics and perspective in the picturesque movement of the eighteenth century continue to delineate the boundaries of land and power. Developing new performative strategies and theoretical frameworks rooted in walking and re-enactment, I will populate Wordsworth's 'landscape' with 'sublime' figures to problematise the values of the picturesque; creating alternative, intersectional ways of perceiving and relating to landscape in order to offer different futures.