Black British Experience on Film and TV: Racialised Media Representation and its Effect on First-generation Caribbean Migrant Identity'

Central 和 BFI 的 Sight & Sound 杂志之间的这个合作博士项目研究了英国电影和电视制作中的种族化表现对来自加勒比海的第一代移民的长期影响。它采用纪录片作为一种基于实践的方法论，通过记录的口述历史和对档案片段的分析，质疑 20 世纪 60 年代至今英国黑人的经历及其媒体表现。该项目的修复方法将媒体再现的生活体验及其对那些生活在战后英国种族化景观中的人们的身份形成的影响置于其实践的中心。它的重点是 60 年来加勒比地区社会和文化的巨大变革，包括摆脱英国统治的独立和大规模移民的“疾风”时代，这两者都与英国国内电视市场的快速扩张同时发生。

This collaborative doctoral project between Central and the BFI's Sight & Sound journal examines the long-term effects of racialised representations in UK film and TV production on first-generation migrants from the Caribbean. Employing documentary film as a practice-based methodology, it interrogates, through recorded oral histories and analysis of archival footage, the Black British experience and its media representation from the 1960s-present. The project's reparative method places, at the centre of its practice, the lived experience of media representation and its impact on identity formation for those who lived through the racialised landscape of post-war Britain. Its focus is on a 60-year period encapsulating immense social and cultural transformation for the Caribbean community, including independence from British rule and the 'Windrush' era of mass migration, both coinciding with the rapid expansion of the domestic TV market in the UK.