Black British Experience on Film and TV: Racialised Media Representation and its Effect on First-generation Caribbean Migrant Identity'

中央和BFI的视觉与声音杂志之间的这个合作博士项目研究了英国电影和电视制作中种族化表现对来自加勒比地区的第一代移民的长期影响。采用纪录片作为一种基于实践的方法，它询问，通过记录口述历史和档案录像的分析，英国黑人的经验和它的媒体代表从20世纪60年代至今。该项目的修复方法的地方，在其实践的中心，媒体代表性的生活经验和身份形成的影响，那些谁经历了战后英国的种族化景观。它的重点是60年的时期，涵盖了加勒比社区巨大的社会和文化变革，包括从英国统治下独立和大规模移民的“温德鲁什”时代，这两个时期都与英国国内电视市场的快速扩张相吻合。

This collaborative doctoral project between Central and the BFI's Sight & Sound journal examines the long-term effects of racialised representations in UK film and TV production on first-generation migrants from the Caribbean. Employing documentary film as a practice-based methodology, it interrogates, through recorded oral histories and analysis of archival footage, the Black British experience and its media representation from the 1960s-present. The project's reparative method places, at the centre of its practice, the lived experience of media representation and its impact on identity formation for those who lived through the racialised landscape of post-war Britain. Its focus is on a 60-year period encapsulating immense social and cultural transformation for the Caribbean community, including independence from British rule and the 'Windrush' era of mass migration, both coinciding with the rapid expansion of the domestic TV market in the UK.