Black British Experience on Film and TV: Racialised Media Representation and its Effect on First-generation Caribbean Migrant Identity'

这个由Central和BFI的Sight&Sound杂志合作的博士项目研究了英国电影和电视制作中种族主义表现对来自加勒比海的第一代移民的长期影响。它使用纪录片作为一种以实践为基础的方法，通过记录的口述历史和对档案镜头的分析，询问从20世纪60年代到现在的英国黑人的经历及其媒体表现。该项目的修复方法将媒体再现的生活体验及其对那些生活在战后英国种族主义景观中的人的身份形成的影响置于其实践的中心。它的重点是一段60年的时期，概括了加勒比海社区巨大的社会和文化变革，包括从英国统治下独立出来，以及大规模移民的温德鲁什时代，这两个时期都恰逢英国国内电视市场的快速扩张。

This collaborative doctoral project between Central and the BFI's Sight & Sound journal examines the long-term effects of racialised representations in UK film and TV production on first-generation migrants from the Caribbean. Employing documentary film as a practice-based methodology, it interrogates, through recorded oral histories and analysis of archival footage, the Black British experience and its media representation from the 1960s-present. The project's reparative method places, at the centre of its practice, the lived experience of media representation and its impact on identity formation for those who lived through the racialised landscape of post-war Britain. Its focus is on a 60-year period encapsulating immense social and cultural transformation for the Caribbean community, including independence from British rule and the 'Windrush' era of mass migration, both coinciding with the rapid expansion of the domestic TV market in the UK.