Black British Experience on Film and TV: Racialised Media Representation and its Effect on First-generation Caribbean Migrant Identity'

这个由中央大学和英国电影学院的《视觉与声音》杂志合作的博士项目研究了英国电影和电视制作中种族化表现对来自加勒比地区的第一代移民的长期影响。它采用纪录片作为一种基于实践的方法，通过记录的口述历史和对档案镜头的分析，询问黑人英国经历及其从20世纪60年代至今的媒体表现。该项目的修复方法，在其实践的中心，是媒体表现的生活经验及其对那些经历了战后英国种族化景观的人的身份形成的影响。它的重点是60年的时间，涵盖了加勒比社区巨大的社会和文化转型，包括从英国统治下的独立和大规模移民的“风刮”时代，这两个时期都与英国国内电视市场的快速扩张相吻合。

This collaborative doctoral project between Central and the BFI's Sight & Sound journal examines the long-term effects of racialised representations in UK film and TV production on first-generation migrants from the Caribbean. Employing documentary film as a practice-based methodology, it interrogates, through recorded oral histories and analysis of archival footage, the Black British experience and its media representation from the 1960s-present. The project's reparative method places, at the centre of its practice, the lived experience of media representation and its impact on identity formation for those who lived through the racialised landscape of post-war Britain. Its focus is on a 60-year period encapsulating immense social and cultural transformation for the Caribbean community, including independence from British rule and the 'Windrush' era of mass migration, both coinciding with the rapid expansion of the domestic TV market in the UK.