Experiencing a Song: the Political and Aesthetic Possibilities of Art

体验一首歌：艺术的政治和美学可能性

• 批准号: 2669219
• 金额: --
• 依托单位: University of Manchester
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2021
• 资助国家: 英国
• 起止时间: 2021 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2669219
• 关键词: Experiencing; Song; Political; Aesthetic; Possibilities

Music has played a crucial role in recent Chilean history as a conduit for social and political demands.Indeed, the mobilisations of 2019 were notable for the visibility acquired by artists and theirperformances, and for activists who mobilised themselves through art. These protests were sparkedby an increase of metro fares, which led to systemic critiques of education, inequality and genderdisparity. These Chilean protests provide fruitful terrain for studying the political significance ofmusic for two main reasons; first, music has been a prominent feature in the history of Chileanmobilisations; second, protests can be understood as an "organising experience" (Lembo, 2017) forexploring how different actors interact with the same musical object.The literature on the relationship between music and protest has tended to emphasise the politicalmessage and concrete political implications of works of art (Reed, 2005; Mathieu & Balasinski, 2006),but has rarely considered how works of art caninterpellatepolitical subjects and transform how theyperceive and relate with themselves, others, and the world. To achieve this, through a relationalperspective this project intends to i) situate the songs that were present during the Chilean protests;ii) identify themusic worldof protests, that is, the networks of actors linked to the songs, theirinteractions and collaborations (Crossley, 2019); and iii) explore the actors' experiences tocomprehend if and how they entailed aesthetic and political transformations. As a result, my projectwill contribute to discussions of everyday life by binding together the aesthetic dimension with political transformation, as well as adding to our understanding of activist art in the Chilean protests.

音乐在智利近代史上扮演了一个至关重要的角色，它是社会和政治诉求的渠道。事实上，2019年的动员活动值得注意的是艺术家及其表演获得的知名度，以及通过艺术动员自己的活动家。这些抗议活动是由地铁票价上涨引发的，这导致了对教育，不平等和性别差异的系统性批评。这些智利的抗议活动为研究音乐的政治意义提供了富有成效的地形，主要有两个原因：第一，音乐在智利的动员历史上一直是一个突出的特点;第二，抗议可以被理解为一种“组织经验”，（Lembo，（2017年）探索不同的演员如何与同一音乐对象互动。关于音乐和抗议之间关系的文献往往强调艺术作品的政治信息和具体的政治含义（Reed，2005; Mathieu & Balasinski，2006），但很少考虑艺术作品如何解释政治主题并改变他们如何感知和与自己、他人和世界的关系。为了实现这一目标，通过关系的角度来看，这个项目打算i）识别智利抗议活动期间出现的歌曲;ii）识别抗议活动的音乐世界，即与歌曲相关的演员网络，他们的互动和合作（Crossley，2019）; iii）探索演员的经验，以理解他们是否以及如何带来美学和政治变革。因此，我的项目有助于通过将美学维度与政治转型结合在一起来讨论日常生活，并增加我们对智利抗议活动中的活动家艺术的理解。