Workflows and Production Guidelines for Immersive Music

沉浸式音乐的工作流程和制作指南

基本信息

批准号：
2889136
负责人：
金额：
--
依托单位：
University of Surrey
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2023
资助国家：
英国
起止时间：
2023 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2889136
关键词：
Workflows Production Guidelines Immersive Music

项目摘要

We are at the beginning of a fundamental shift in music production and consumption, awayfrom stereo-the dominant technology for over a century-and towards immersive audio.Object-based audio technology (e.g. Dolby Atmos and MPEG-H) and immersive audiodevices such as head-tracked headphones (e.g. Apple Airpods) and soundbars areleading mainstream adoption. Music streaming services are following suit with increasingreleases of immersive tracks. As a consequence, the entire music production chain isbeing pushed to adopt immersive technology and workflows.However, the music industry has not yet taken full advantage of availabletechnology-current production workflows are still based around stereo and immersivesound is relegated to post-production. Many opportunities arise when immersive audio isthe primary format, unlocking the technology's potential, enabling artists to add a newdimension for creative expression, and allowing listeners to share that immersive space.An "immersive-first" music production chain requires new content creation guidelines andworkflows for artists, audio engineers, and producers. Now is the perfect time to examinestate-of-the-art methods and tools for immersive and object-based audio and to influencethe next paradigm of music production. This project therefore asks: what are the opoptimalimmersive audio workflows for music production, and what are their relative merits?

We are at the beginning of a fundamental shift in music production and consumption, awayfrom stereo-the dominant technology for over a century-and towards immersive audio.Object-based audio technology (e.g. Dolby Atmos and MPEG-H) and immersive audiodevices such as head-tracked headphones (e.g. Apple Airpods) and soundbars areleading mainstream adoption.音乐流媒体服务遵循越来越多的沉浸式曲目。结果，整个音乐生产连锁店都促使人们采用沉浸式技术和工作流程。但是，音乐行业尚未充分利用AvailableTechnology-Crorrent-Current-Current生产工作流程，但仍基于Stereo，而Immersivesound则将其降级为后制作。当沉浸式音频是主要格式时，就会出现许多机会，从而释放了技术的潜力，使艺术家能够为创造性表达增添新的限制，并允许听众分享沉浸式的空间。一个“沉浸式的”音乐生产链需要新的内容创造新内容创造的指南和工作指南和工作者，并为艺术家，辅助工程师，辅助工程师和制作人提供。现在，是审查最先进和基于对象的音频的最佳方法和工具的最佳时机，并影响音乐制作的下一个范式。因此，该项目询问：音乐制作的功能性音频工作流是什么，它们的相对优点是什么？