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Workflows and Production Guidelines for Immersive Music

沉浸式音乐的工作流程和制作指南

基本信息

批准号：
2889136
负责人：
金额：
--
依托单位：
University of Surrey
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2023
资助国家：
英国
起止时间：
2023 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2889136
关键词：
Workflows Production Guidelines Immersive Music

项目摘要

We are at the beginning of a fundamental shift in music production and consumption, awayfrom stereo-the dominant technology for over a century-and towards immersive audio.Object-based audio technology (e.g. Dolby Atmos and MPEG-H) and immersive audiodevices such as head-tracked headphones (e.g. Apple Airpods) and soundbars areleading mainstream adoption. Music streaming services are following suit with increasingreleases of immersive tracks. As a consequence, the entire music production chain isbeing pushed to adopt immersive technology and workflows.However, the music industry has not yet taken full advantage of availabletechnology-current production workflows are still based around stereo and immersivesound is relegated to post-production. Many opportunities arise when immersive audio isthe primary format, unlocking the technology's potential, enabling artists to add a newdimension for creative expression, and allowing listeners to share that immersive space.An "immersive-first" music production chain requires new content creation guidelines andworkflows for artists, audio engineers, and producers. Now is the perfect time to examinestate-of-the-art methods and tools for immersive and object-based audio and to influencethe next paradigm of music production. This project therefore asks: what are the opoptimalimmersive audio workflows for music production, and what are their relative merits?

我们正处于音乐制作和消费的根本性转变之初，从一个多世纪以来的主流技术立体声转向沉浸式音频。基于对象的音频技术（如杜比全景声和MPEG-H）和沉浸式音频设备，如头戴式耳机（如Apple Airpods）和条形音箱，正在引领主流采用。音乐流媒体服务也紧随其后，推出了越来越多的沉浸式曲目。因此，整个音乐制作链都被推动采用沉浸式技术和工作流程。然而，音乐行业尚未充分利用现有技术-目前的制作工作流程仍然基于立体声，沉浸式声音被降级为后期制作。当沉浸式音频成为主要格式时，就会出现许多机会，释放技术潜力，使艺术家能够为创造性表达增加新的维度，并允许听众分享沉浸式空间。“沉浸式优先”的音乐制作链需要为艺术家、音频工程师和制作人提供新的内容创作指导方针和工作流程。现在是检查沉浸式和基于对象的音频的最先进方法和工具并影响音乐制作的下一个范例的最佳时机。因此，这个项目提出了这样一个问题：音乐制作的opopoptimimmersively音频工作流程是什么，它们的相对优点是什么？