Shakespeare in the early modern global world

莎士比亚在近代早期的全球世界

• 批准号: 112761/1
• 负责人: Jeremy Brotton
• 金额: $ 1.95万
• 依托单位: Queen Mary University of London
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2006
• 资助国家: 英国
• 起止时间: 2006 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=112761%2F1
• 关键词: Shakespeare; early; modern; global; world

Shakespeare's plays were written at a time of global exchange and religious confrontation between a divided European Christianity and the eastern religious of the book. From his early plays like 'Merchant of Venice', through to late plays like 'The Tempest', Shakespeare conintually responded to England's religious and commercial exchanges with other cultures, particularly Islam, and produced a range of multiple, contradictory characters and places that have become intimately associated with the ways in which we think about race, ethnicity, nationhood and immigration today. This project analyses Shakespeare's ambivalence towards cultural encounter through a range of previously neglected historical sources.

莎士比亚的戏剧创作于分裂的欧洲基督教和书中东方宗教之间的全球交流和宗教对抗的时代。从早期的戏剧《威尼斯商人》到后期的戏剧《暴风雨》，莎士比亚不约而同地回应了英国与其他文化，特别是伊斯兰教之间的宗教和商业交流，创造了一系列多重的、相互矛盾的人物和地点，这些人物和地点已经与我们今天思考种族、民族、民族和移民的方式密切相关。这个项目通过一系列以前被忽视的历史来源来分析莎士比亚对文化相遇的矛盾心态。

项目成果

Shakespeare's Turks and the spectre of ambivalence in the History Plays

莎士比亚笔下的土耳其人和历史剧中矛盾心理的幽灵

• DOI: 10.1080/0950236x.2013.816103
• 发表时间: 2013
• 期刊: Textual Practice
• 影响因子: 0.3
• 作者: Brotton J