Performances and Audiences in Pindar's Victory Odes

品达胜利颂歌中的表演和观众

• 批准号: 112979/1
• 负责人: Andrew Morrison
• 金额: $ 1.79万
• 依托单位: University of Manchester
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2006
• 资助国家: 英国
• 起止时间: 2006 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=112979%2F1
• 关键词: Performances; Audiences; Pindar; Victory; Odes

The first audience of Pindar's Victory Odes (5th century BC) has been central to the study of Pindar since the 1960s. But the ways, in which the odes manipulate not only the audience of the first performance but also the audience of subsequent performances, both overlapping the first audience and across a wider Greek world, has not been studied in depth. I examine the Sicilian odes of Pindar to explore how different audiences are exploited and accommodated, by analysing relevant features such as structure, myth, and indications of the circumstances of performance, from different audiences' points of view.

品达的《胜利颂》（公元前5世纪）的第一批观众自20世纪60年代以来一直是品达研究的核心。但是，颂歌不仅操纵第一场演出的观众，而且操纵随后演出的观众的方式，既与第一场观众重叠，又跨越更广泛的希腊世界，还没有被深入研究。我研究西西里颂歌品达探讨如何利用和容纳不同的观众，通过分析相关的功能，如结构，神话，并指示性能的情况下，从不同的观众的角度来看。