The Innovative Printmaking of Birgit Skjold (1923-1982)

本项目探讨了1958年至1982年期间，比吉特·斯克约德对英国版画的贡献。包括对斯克约德在版画和艺术家书籍中结合摄影和平版印刷的凹版工艺的创新使用的批判性分析，以及她对日本文化的兴趣，以及抽象自然主题的部署。斯克约德在经营版画工作室方面的先驱作用，夏洛特街（1958年至1982年）和她参与促进版画活动在英国也被认为是。该项目包括一个完整的描述Skjold的输出单版画的基础上，在英国的公共和私人收藏的广泛持有。

This project investigates the contribution made by Birgit Skjold to printmaking in Britain between 1958 and 1982.Included is a critical analysis of Skjold's innovative use of intaglio processes, combined with photo-imagery and lithography in the edition prints and artist's books, also her interest in Japanese culture, and deployment of abstract nature motifs.Skjold's pioneering role in running Print Workshop, Charlotte Street (1958- 1982) and her involvement in promoting printmaking activity in Britain are also considered.The project includes a complete description of Skjold's output of single prints based on extensive holdings in public and private collections in Britain.