The Relationship Between Art, Performance and the City

艺术、表演与城市的关系

• 批准号: AH/E00153X/1
• 负责人: Nicolas Whybrow
• 金额: $ 1.9万
• 依托单位: University of Warwick
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2006
• 资助国家: 英国
• 起止时间: 2006 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FE00153X%2F1
• 关键词: Relationship; Between; Art; Performance; City

There are increasing numbers of practitioners in a range of media making work relating to the experience of the city. This is not generally work that seeks to represent the city but that is directly affected or inspired by it. That is, the city is unavoidably implicated in this work; the experience and effect of the city, in a sense as 'found phenomenon' or 'playground', is one that is central. The kinds of work that are meant in this respect are extremely varied in form and theme, which is indicative not only of the richness and diversity of city life itself but also of how artists approach thinking about the city as a place: a constellation of objects, people, beliefs, practices and so on.The research's importance will be premised effectively on demonstrating art and performance's centrality to the functioning of cities, based on the works and cities considered. Apart from artists, academics too have been recognising the city's increasing significance. One reason for its popularity is the way in which it lends itself to interdisciplinary interpretation both as an object of study and in terms of methodological approach. There is broad interest in the city from a range of positions. Like performance itself, urban studies integrates - or blurs the boundaries between - the creative and philosophical, on the one hand, and the empirical and social scientific on the other.Within the field of contemporary performance/art there is a discernable interest in place and identity, site-specificity and, indeed, functions of performance within art, encompassing questions of the spectator's positioning, the interactivity of the gaze, and relationality. However, there is evidently room for research broadly and directly addressing the specific link between art/performance practices and urban culture. It is also clear that the audience for my intended publications will comprise performance scholars/students and practitioners in the first instance, but will also reach out to other related disciplines.

有越来越多的从业人员在一系列媒体制作工作有关的经验的城市。这不是一件试图表现城市的作品，而是一件直接受城市影响或启发的作品。也就是说，城市无可避免地与这件作品有牵连;城市的体验和影响，在某种意义上，作为“发现的现象”或“游乐场”，是一个中心。这方面的作品种类在形式和主题上都非常多样，这不仅表明了城市生活本身的丰富性和多样性，而且也表明了艺术家如何将城市作为一个地方来思考：一系列的物体，人，信仰，实践等等。研究的重要性将有效地证明艺术和表演对城市功能的中心作用，基于所考虑的工程和城市。除了艺术家之外，学者们也认识到这座城市日益增长的重要性。其受欢迎的一个原因是它适合于作为研究对象和方法论方法的跨学科解释的方式。人们对这座城市有着广泛的兴趣。就像表演本身一样，城市研究一方面整合了创造性和哲学，另一方面整合了经验性和社会科学，或者模糊了两者之间的界限。在当代表演/艺术领域，人们对场所和身份，场地特异性以及艺术中表演的功能有着明显的兴趣，包括观众的定位，凝视的互动，和关系。然而，显然有研究的空间，广泛和直接解决艺术/表演实践和城市文化之间的具体联系。同样清楚的是，我的预期出版物的读者将首先包括表演学者/学生和从业者，但也将接触其他相关学科。