Theatre Censorship in Spain (1931-1985)

西班牙的剧院审查制度（1931-1985）

• 批准号: AH/E007686/1
• 负责人: Michael Thompson
• 金额: $ 29.92万
• 依托单位: Durham University
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2008
• 资助国家: 英国
• 起止时间: 2008 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FE007686%2F1
• 关键词: Theatre; Censorship; Spain; 1931; 1985

The study of censorship is vital to understanding the relationship between cultural production and the state. In Spain during the Second Republic, the civil war and the dictatorship of General Franco, censorship of all media was extensively used to promote hegemonic political and moral values while suppressing alternative ideologies. Artists adopted a variety of strategies in response to these environments. Theatre, as a medium with the potential to make direct and immediate connections with society, was subject to particularly severe control.Building on research already done by the investigators in this field, the project aims to carry out the most comprehensive analysis to date of how censorship functioned in Spain in different political contexts during the 20th century and the impact it had on all forms of theatrical production. The primary resource to be investigated is the collection of censorship documents held at the state archive in Alcalá de Henares, providing an invaluable insight into the operation of the system and its effect on theatrical activity. In addition to the censors' reports and correspondence on proposed productions and editions, the project will draw on a range of other sources, including analysis of all the relevant legislation and interviews with people involved.The findings of the project will be published in a book co-authored by Michael Thompson and Catherine O'Leary. The book will analyse the censorship process in the different periods and provide detailed case studies to illuminate the complexities of the issues involved, taking account of the perspectives of both the censors and the censored. For the first time, the impact of censorship on the full range of theatrical forms - protest theatre, propaganda theatre, mainstream drama and comedy, experimental theatre and performance, classical and foreign drama - will be explored. Furthermore, the volume will enhance access to the primary materials for non-specialists by providing translations into English of key documents and examples.The project is intended to stimulate further research by those working in Hispanic and European studies, theatre studies, cultural studies, history and information studies, contributing to explorations of issues of current concern in various disciplines, such as historical memory and identity, and the relationship between text and performance. Direct interdisciplinary links will be established through the organization of an international conference bringing together scholars and theatre professionals with an interest in censorship worldwide. It is intended that the conference will incorporate an element of performance as a focus for a live case study, and that selected papers will be published.

对审查制度的研究对于理解文化生产与国家之间的关系至关重要。在第二共和国，内战和佛朗哥将军的独裁统治期间，所有媒体的审查制度广泛用于促进霸权政治和道德价值观，同时抑制了替代意识形态。艺术家采用了各种策略，以应对这些环境。作为一种有可能与社会建立直接联系的媒体，剧院受到特别严重的控制。建立该领域的研究人员已经进行的研究，该项目旨在对迄今为止最全面的分析进行迄今为止，迄今为止，审查制度如何在20世纪在西班牙运作的不同政治环境以及对所有形式的各种形式的相触及生产的影响。要调查的主要资源是收集在AlcaláDeHenares的国家档案馆举行的审查文件，提供了对系统运行及其对戏剧活动的影响的宝贵见解。除了公民的报告和有关拟议的制作和版本的通信外，该项目还将借鉴其他一系列来源，包括对所有相关立法的分析以及对所涉及人员的访谈。该项目的发现将在迈克尔·汤普森（Michael Thompson）和凯瑟琳·奥列利（Catherine O'Leary）共同撰写的书中发表。该书将在不同时期分析审查过程，并提供详细的案例研究，以阐明所涉及的问题的复杂性，并考虑到公民和公民的观点。将首次探索审查制度对戏剧形式的全部形式的影响 - 抗议剧院，宣传剧院，主流戏剧和喜剧，实验剧院和表演，古典和外国戏剧。此外，该数量将通过将翻译为关键文档和示例的英语来增强非专业主义者的主要材料的访问。该项目旨在激发西班牙裔和欧洲研究，戏剧研究，文化研究，历史研究，历史研究和信息研究的人的进一步研究，从而为各种历史记忆和身份的当前问题（例如，与身份的问题）以及文字之间的相关性以及文字之间的相关性以及诸如历史记录和表现之间的探索做出了贡献。直接的跨学科链接将通过组织国际会议建立，将学者和戏剧专业人士汇集在一起​​，对全球审查感兴趣。旨在将会议纳入绩效要素，作为实时案例研究的重点，并将发表精选论文。

项目成果

From littérature engagée to engaged translation: staging Jean-Paul Sartre's theatre as a challenge to Franco's rule in Spain

从文学参与到参与翻译：上演让·保罗·萨特的戏剧以挑战佛朗哥在西班牙的统治

• DOI: 10.1080/0907676x.2019.1699585
• 发表时间: 2019
• 期刊: Perspectives
• 作者: O'Leary C

STAGING <em>LA ESPAÑA ETERNA</em>: RISE AND FALL OF THE NATIONAL-CATHOLIC THEATRICAL CANON IN THE AFTERMATH OF THE CIVIL WAR

上演《永恒的西班牙》：内战后国家天主教戏剧经典的兴衰

• DOI: 10.5699/modelangrevi.108.4.1156
• 发表时间: 2013
• 期刊: The Modern Language Review
• 作者: Diego Santos Sánchez

Translating the armed struggle: Alfonso Sastre and Sean O'Casey in Spain

转化武装斗争：阿方索·萨斯特雷和肖恩·奥凯西在西班牙

• DOI: 10.1080/14781700.2017.1339207
• 发表时间: 2017
• 期刊: Translation Studies
• 影响因子: 1
• 作者: O'Leary C

CENSURA Y (RE)ESCRITURA EN EL TEATRO DE CARLOS MUÑIZ

卡洛斯·穆伊兹剧院的 CENSURA Y (RE)ESCRITURA

• DOI: 10.4067/s0718-22952013000100006
• 发表时间: 2013
• 期刊: Revista chilena de literatura
• 影响因子: 0.2
• 作者: Santos D

Censorship Across Borders: The Reception of English Literature in Twentieth-century Europe

跨境审查：二十世纪欧洲对英国文学的接受

• 发表时间: 2011
• 作者: O'Leary, Catherine;Lazaro, Alberto
• 通讯作者: Lazaro, Alberto