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Completion of a commentary on Ovid, Tristia 2 (with a particular focus on lines 359-578)

完成对 Ovid, Trisia 2 的评论（特别关注第 359-578 行）

基本信息

批准号：
AH/F004230/1
负责人：
Jennifer Ingleheart
金额：
$ 2.68万
依托单位：
Durham University
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2008
资助国家：
英国
起止时间：
2008 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FF004230%2F1
关键词：
Completion commentary Ovid Tristia particular

项目摘要

Ovid's Tristia 2 is a text which stands at the heart of Ovid's exilic poetry, but also sheds much light on literary works by other authors and by Ovid himself (in particular, the Ars amatoria, which Ovid in this work identifies as one of the two major causes of his banishment). Tristia 2 contains many problems of interpretation for the reader, particularly with reference to the way in which Ovid talks to his addressees (the emperor Augustus, the named addressee of this literary epistle, as well as other implied readers of the poem) and the catalogue of authors Ovid provides as examples of those who have written erotic works before him and have not been punished for their writing, offering tendentious interpretations of many major works of ancient literature. Such issues are crucial in the portion of the commentary (lines 359-578) on which I intend to conduct research.My line by line commentary will illuminate the sorts of issues of usage, metre, tone, and historical and literary allusions that are the staple of any scholarly classical commentary. In addition, I will focus particular attention throughout on the key area of literary hermeneutics (one of the aspects of Tristia 2 to have attracted the greatest amount of interest from recent scholars, but an area which requires further detailed comment on the entire catalogue of authors). Tristia 2 offers a very unusual vista in Augustan poetry by providing a vision of literary history, which, while tendentious, deserves to be explored in depth and set alongside other, more famous pronouncements on literature by Cicero, Horace, and Quintilian. Detailed notes in the commentary itself and its introduction will furthermore provide a much needed exploration of the generic affiliations of this work. My commentary also focuses throughout on political issues, elucidating the connections between the poet and the princeps who banished him, and the ways in which Ovid reflects the workings of late Augustan imperial ideology. My research should therefore illuminate a poem which is important for Ovid's corpus as a whole, as well as for the history of the late Augustan principate, Greek and Roman literary history, the history of the literary apologia, and the figure of the exiled artist in literature from the classical to the modern age.

奥维德的《悲伤2》是奥维德流放诗的核心文本，但也为其他作家和奥维德本人的文学作品提供了很多启示（特别是《情人节》，奥维德在这部作品中认为这是他被流放的两个主要原因之一）。《忧郁症》第二章包含了许多对读者解释的问题，特别是关于奥维德与他的读者交谈的方式（皇帝奥古斯都，命名收件人的这一文学书信，以及其他隐含的读者的诗）和目录的作者奥维德提供的例子，那些谁写了色情作品之前，他并没有受到惩罚，他们的写作，对古代文学的许多重要作品进行有倾向性的解释。这些问题在我打算进行研究的评注部分（第359-578行）中至关重要。我的逐行评注将阐明用法、韵律、语气以及历史和文学典故等问题，这些问题是任何学术经典评注的主要内容。此外，我将特别关注文学诠释学的关键领域（《忧郁症2》吸引了近期学者最大的兴趣之一，但这一领域需要对整个作者目录进行更详细的评论）。《忧郁》第二章提供了一个非常不寻常的奥古斯都诗歌的前景，它提供了一个文学史的视角，虽然有倾向性，但值得深入探讨，并与西塞罗、贺拉斯和昆提良关于文学的其他更著名的声明放在一起。评注本身及其导言中的详细说明将进一步提供对这项工作的一般从属关系的迫切需要的探讨。我的评论也集中在整个政治问题上，阐明诗人和驱逐他的元首之间的联系，以及奥维德反映晚期奥古斯都帝国意识形态运作的方式。因此，我的研究应该阐明一首对奥维德的整个语料库都很重要的诗，以及对奥古斯都元首后期的历史、希腊和罗马文学史、文学辩护史以及从古典到现代文学中流亡艺术家的形象都很重要。