New Research Processes and Business Models for the Creative Industries

创意产业的新研究流程和商业模式

• 批准号: EP/G002088/1
• 负责人: Steve Benford
• 金额: $ 26.8万
• 依托单位: University of Nottingham
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2008
• 资助国家: 英国
• 起止时间: 2008 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=EP%2FG002088%2F1
• 关键词: New; Research; Processes; Business; Models

The UK is world-renowned for its creative industries in areas as diverse as music, animation, and the performing and visual arts. However, the emergence of a new generation of social, pervasive and affective ICT promises to transform the creative landscape, raising major new challenges for both the creative industries and ICT research. This cluster therefore seeks to answer two closely related questions: what key challenges face the creative industries due to the emergence of a new generation of social, pervasive and affective ICT? and conversely, what long term challenges must be tackled by ICT research in order to support future creative industries?In answering these questions we also recognise that the creative industries have a distinctive character that challenges traditional models of research and business innovation. Specifically, the creative industries revolve around dynamic and often unorthodox coalitions, whereby numerous small and micro-businesses come together for the duration of a single project, then disband and form new partnerships for the next project. Unlike larger companies, it can be extremely challenging to engage such dynamic creative networks in traditional long-term term EPSRC-funded research projects. Our cluster therefore also addresses a third question: how can we better engage small creative companies in research and knowledge transfer, and especially how can we establish new interdisciplinary approaches across ICT, the arts and humanities and the social sciences that support 'practice-led' approaches to research?In order to tackle these questions, our cluster brings together practitioners from the creative industries with researchers from varied traditions that span ICT, the arts and humanities, the social sciences, and business studies. Together these partners will engage in a year-long programme of activities that include:- a series of workshops (open events, ateliers and sandpits) to build new a community of researchers and users, explore research agendas and processes, and generate seed proposals. At the time of writing, our community stands at twenty-one partners and we expect this to increase considerably over the year.- four practice projects that will explore new ways of working by engaging in and studying focused short-term practical activities addressing different sectors of the creative industries including music, pervasive media and animation;- two troubadour studies that reflect on different approaches to research and knowledge transfer across a wide range of past and ongoing projects; - funding a focused team of researchers to distil the results of these activities into a research framework for the creative industries that combines a forward-looking research agenda with guidelines for new models of collaboration.The outputs of these activities will be: the formation of a new interdisciplinary community of researchers and creative users that is ready to undertake future research projects; a set of seed proposals ready to be developed into full-blown proposals for EPSRC, TSB and other research funders as part the Digital Economy programme; and a coherent agenda for long-term ICT research in the creative industries.

英国以其在音乐、动画、表演和视觉艺术等领域的创意产业而闻名于世。然而，新一代的社会性、普及性和影响性信通技术的出现有望改变创意领域，给创意产业和信通技术研究带来新的重大挑战。因此，这一组要回答两个密切相关的问题：由于新一代社会性、普及性和影响性的信息和通信技术的出现，创造性产业面临哪些关键挑战？反过来说，为了支持未来的创意产业，信息和通信技术研究必须解决哪些长期挑战？在回答这些问题时，我们也认识到创意产业具有独特的特征，挑战了传统的研究和商业创新模式。具体而言，创意产业围绕着动态的、往往是非正统的联盟，众多小型和微型企业在一个项目期间走到一起，然后解散，为下一个项目结成新的伙伴关系。与大公司不同，让这种充满活力的创意网络参与EPSRC资助的传统长期研究项目可能极具挑战性。因此，我们的集群还解决了第三个问题：我们如何才能更好地让小型创意公司参与研究和知识转让，特别是我们如何才能建立跨信息和通信技术，艺术和人文科学以及社会科学的新的跨学科方法，以支持“以实践为导向”的研究方法？为了解决这些问题，我们的集群汇集了来自创意产业的从业者与来自不同传统的研究人员，这些传统涵盖了ICT，艺术和人文，社会科学和商业研究。这些合作伙伴将共同参与为期一年的活动计划，其中包括：-一系列研讨会（开放式活动，工作室和沙坑），以建立新的研究人员和用户社区，探索研究议程和流程，并产生种子提案。在撰写本文时，我们的社区有21个合作伙伴，我们预计这一数字将在今年大幅增加。四个实践项目，将通过参与和研究针对创意产业不同领域的短期实践活动，探索新的工作方式，包括音乐，普及媒体和动画;-两个游吟诗人研究，反映了过去和正在进行的广泛项目中的研究和知识转移的不同方法;- 资助一个专门的研究小组，将这些活动的成果纳入创意产业的研究框架，该框架将前瞻性的研究议程与新的合作模式的指导方针结合起来。这些活动的成果将是：形成一个新的跨学科的研究人员和创意用户社区，准备开展未来的研究项目;一套种子提案，准备发展成为EPSRC，TSB和其他研究资助者的全面提案，作为数字经济计划的一部分;以及创意产业长期ICT研究的连贯议程。

项目成果

We Don't Do Google, We Do Massive Attacks: Notes on Creative R&D Collaborations

我们不做谷歌，我们做大规模攻击：Creative R 笔记

• DOI: 10.1162/leon.2010.43.1.94
• 发表时间: 2010
• 期刊: Leonardo
• 影响因子: 0.3
• 作者: Foster J

Riders Have Spoken: Replaying and Archiving Pervasive Performances

骑手们的发言：重播和存档普遍的表演

• DOI: 10.1162/leon.2010.43.1.90
• 发表时间: 2010
• 期刊: Leonardo
• 影响因子: 0.3
• 作者: Chamberlain A

Sensory threads: Sonifying imperceptible phenomena in the wild

感觉线：使野外难以察觉的现象发声

• 发表时间: 2009
• 作者: Fencott, R

How Artists Fit into Research Processes

艺术家如何融入研究过程

• DOI: 10.1162/leon.2010.43.2.194
• 发表时间: 2010
• 期刊: Leonardo
• 影响因子: 0.3
• 作者: Edmonds E

Sensory Threads: Perceiving the Imperceptible

感官线索：感知不可察觉的事物

• 作者: Nick Bryan-Kinns (Author)