Architectural Sculpture of the 13th Century in Santiago de Compostela

圣地亚哥-德孔波斯特拉大教堂的拉格洛里亚门廊是当时最重要的艺术品之一。马特奥大师在朝圣大教堂伦敦西区设计的数字化入口影响了随后大教堂整体的雕塑装饰，包括肖像、风格和装饰，并对城市和地区的艺术景观产生了长期影响。在研究项目中，这个划时代的门户对世纪圣地亚哥哥特式建筑雕塑的影响将在新的风格习语的极点和传统上源自伊勒-德-法国的形式库的发展之间进行分析。在第一阶段，将从风格和图像学的角度研究大教堂区域工作坊内部的关系问题，以便根据最近的建筑研究和历史资料研究，对以前的年代进行修订，并进行更精确的艺术历史分类。这种重新思考预示着知识的非凡收获。此外，主教区的政策也因日益增长的朝圣运动和日益成功的收复失地运动而改变。将在教会政策领域内确定和讨论图标传统和创新。在第二阶段，将研究西班牙圣地朝圣中心的艺术吸引力以及欧洲的类似例子。

The Portico de la Gloria in the cathedral of Santiago de Compostela stands out as one of the most significant artworks of its age. The figured portal by Master Mateo in the west end of the pilgrimage basilica influenced the subsequent sculptural decoration within the ensemble of the cathedral in iconography, style, and ornamentation, as well as having a long-lasting effect on the artistic landscape of the city and the region. In the research project the impact of this epochal portal on Gothic architectural sculpture in Santiago of the 13th century will be analysed between the poles of the new stylistic idioms and the development of the repertory of forms traditionally derived from the Ile-de-France. In the first phase, the question of the relationships within the workshop in the cathedral area will be examined from stylistic and iconographic viewpoints, in order to conduct a revision of the previous dating and a more precise art historical classification, based on recent architectural research and studies of historical sources. This reconsideration promises an extraordinary gain in knowledge. The policies of the bishopric moreover were transformed by the growing pilgrimage movement and the increasingly successful reconquista. Iconographic traditions and innovations will be identified and discussed within the field of ecclesiastical policies. In a second phase, the artistic appeal of the centre of pilgrimage on sacred spaces in Spain and on comparable European examples will be studied.