Digitization and scientific analysis of the graphic collection of the Eugen Diederichs Verlag in the Thüringer Universitäts- und Landesbibliothek Jena (ThULB)

图林根大学耶拿州立图书馆（Thüringer Universitäts- und Landesbibliothek Jena）的Eugen Diederichs Verlag（1896-1946）的收藏对于德国主要的“Kulturverlage”之一的工作和接待具有独特的重要性。该项目的亮点和目的是图书图形：1.900张原始草图，由Diederichs订购，以优化印刷。有这样一些著名的艺术家，如彼得贝伦斯，海因里希福格勒或E。R.韦斯。德国的文学文化没有其他地方有类似的材料，因为事实上，艺术家的作品并没有保留在他们的财产，而是由Eugen Diederichs（1867-1930）保存为他的出版社。Eugen Diederichs Verlag是从1900年左右到魏玛共和国的所谓“Kulturverlage”之一。基本的是他对1900年左右的图书改革运动的认同，在这场运动中，迪德里奇是权威的创新力量。工艺美术运动的思想是由他在德国首次提出的。他的出版社以新颖的书籍美学和商业产业化的品质相结合，赢得了无与伦比的地位。艺术家和出版商之间的界面过程尚未被调查。在这里，图形收集赢得了非凡的重要性。该项目的目标是对图像收藏进行编目、数字化和科学分析，包括创建艺术家目录。该项目的成果和数字化图像将在耶拿（Urmel）的通用多媒体电子图书馆公开提供。

The collection of the Eugen Diederichs Verlag (1896-1946) in the Thüringer Universitäts- und Landesbibliothek Jena (ThULB) is of unique importance concerning the work and reception of one of the major German "Kulturverlage". Highlight and purpose of the project are the book graphics: 1.900 sheets with original sketches, ordered by Diederichs to optimize them for printing. There are such famous artists as Peter Behrens, Heinrich Vogeler or E. R. Weiss. Nowhere else the German literary culture has similar material, because of the fact that the works of the artists did not remain in their possession, but were saved by Eugen Diederichs (1867-1930) for his publishing house.The Eugen Diederichs Verlag is one of the so-called "Kulturverlage" from around 1900 to the Weimarer Republik. Fundamental was his identification with the book reform movement around 1900, within which Diederichs was the authoritative innovative force. The ideas of the Arts and Crafts movement were introduced by him in Germany for the first time. His publishing house won an incomparable place through a combination of new book aesthetics and quality of commercial industrialization. The processes at the interface between artists and publishers have not yet been investigated. Here the graphic collection wins extraordinary importance. Particularly concerning the Art Nouveau period it provides significant impetus.The aims of the project are the cataloguing, digitization, and scientific analysis of the graphic collection including the creation of an artist's catalogue. The project's results and the digitized images would be prepared for open access in the Universal Multimedia Electronic Library of Jena (Urmel).