(Closet) Drama of the Early Modern Age (1500-1775)

在计划的续集中，该项目将把(壁橱里的)戏剧集中在现代早期(18世纪)的最后阶段。这一延续将把最初只应用了两年的项目再扩大一年。因此，将实现对整个时间段的概述。随着直到1775年的进一步的案例研究的增加(如Klopstock和Bodmer)，这种阅读体裁的历史细节和作为一个整体的早期现代戏剧的系统方面可以被完全展现。这是一个合理的扩展，因为关键的文化变化(如剧院的文学化、重点壁橱戏剧的出现、新的阅读行为、剧院和图书市场的制度化和专业化、批判性公众等)将在它们对设计和印刷戏剧的效果的影响上变得明显。到目前为止，该项目能够将1500至1730年的戏剧定位为(历史的)以阅读为主的接受者，以及它在最初应用中是如何勾勒出来的。这是通过广泛的档案研究实现的。事实证明，戏剧文本的文本和视觉设计可以得出关于特定时间的戏剧美学的结论，特别是关于它们作为文学文本的设计和效果。对18世纪戏剧文本的历史研究可以更好地勾勒出我们的结果，并对这些发现进行更充分的历史分配。通过这种扩展，可以实现对迄今使用的阅读戏剧现象类型的历史-文化澄清。对诸如戏剧、密室戏剧和戏剧文本这样的关键术语进行基本的专业论述的目的是发展新的和历史上可靠的论点。这种延续将有助于使项目的结果更明显，并通过进入更熟悉的领域，从分析的阅读角度刺激对类型戏剧的后续研究。

In the planned continuation, the project will focus the (closet) drama in the final phase of the early modern age (18th century). This continuation will expand the project, which was first applied only for two years, by an additional year. Thus an overview of the whole time period would be achieved. With the addition of further case studies till 1775 (like Klopstock and Bodmer) historic specifics of this reading genre and systematic aspects of the drama of the early modern age as a whole could be fully unfolded. It is a reasonable expansion, since crucial cultural changes (like the literarization of the theater, the emergence of emphatic closet dramas, the new reading behavior, the institutionalisation and professionalisation of the theater and the book market, the critical public, and so forth) will become apparent in their impact on the design and on the effect of the printed drama.Up until now the project was able to work the orientation of the drama from 1500 to 1730 towards a (historical) predominantly reading reception, how it was sketched in the initial application. This was achieved with extensive archival research. It turns out that the textual and visual design of dramatic texts allows drawing conclusions about the aesthetics of the theater at a given time and especially on their design and effect as literary texts. The historical studies of dramatic texts of the 18th century allow a better outline of our results and a more adequate historic allocation of the findings. With the expansion a historico-cultural clarification of the thus far used typology of reading drama phenomena can be achieved. The Intention of a fundamental professional discourse of such pivotal terms like drama, closet drama, and theater text is to develop new and historicaly secured arguments.The continuation shall help to make the results of the project more visible as well as to stimulate subsequent studies of the genre drama from a analytic reading perspective by reaching out in a more familiar terrain.