Slokasarasamgraha: The critical edition, annotated translation and contextualisation of an unpublished Sanskrit anthology

该项目的目的是促进选集（samgraha）文学体裁的发展，这一体裁虽然非常重要，但在梵语文学中尚未得到探讨。这部作品的来源是以前未出版的单诗节（muktaka）选集，名为Slokasarasamgraha，其中两份手稿保存在尼泊尔-德国Mandarept编目项目（NGMCP）中。该文本的编辑者和起源日期未知，包含近700节经文，分为60个部分。在这些诗句中，有一些出现，与某些变化，在其他选集，如Vidyakaras Subhasitaratnakosa，或Sridharadasas Saduktikarnamrta。然而，其中也包含许多未知的诗歌，通过拟议项目的编辑和翻译工作，这些诗歌将首次向更广泛的受众提供。该项目主要基于对《Slokasarasamgraha》的文本批评工作，其中将各个诗节与现有手稿和版本中的所有其他相关文本进行仔细比较，并根据内容（主题和主题），语言解释（韵律细节，头韵等）进行分析。诗意的约定此外，该项目试图将他们的文献学分析结果纳入一个全面的文学-历史框架。在此过程中，对《Slokasarasamgraha》进行语境化的具体目的是分析整个文本的结构以及各个节之间的联系。任何有意的序列、插入或潜在的遗漏的发现，都可能表明编译者的特定目的，以及特定的效果，如助记符，将为梵文文学中的选集体裁的研究提供新的和独特的贡献，从而成为选集如何嵌入真实的生活背景的问题的关键。

The aim of the project is to contribute to the development of the anthology (samgraha) genre of literature, which, although very important, has not yet been explored in Sanskrit literature. The source for this work is the previously unpublished anthology of single stanzas (muktaka) called Slokasarasamgraha, of which two manuscripts are preserved in the Nepalese-German Manuscript Cataloguing Project (NGMCP). The text, of which the compiler and date of origin are unknown, contains nearly 700 verses, and is divided into 60 sections. Among these verses, a number occur, with certain variations, in other anthologies, such as Vidyakaras Subhasitaratnakosa, or Sridharadasas Saduktikarnamrta. However, also contained therein are numerous unknown poems, which, through the edition and translation work in the proposed project will become available to a wider audience for the first time. The project is primarily based on the text-critical work on the Slokasarasamgraha, whereby the individual stanzas are carefully compared with all other relevant texts in available manuscripts and editions, and analysed on the basis of content (motif and theme), linguistic interpretation (metrical details, alliteration etc.) and poetic convention. Furthermore, the project tries to arrange the results of their philological analysis into a comprehensive literary-historical framework. In the process, the particular aim of this contextualisation of the Slokasarasamgraha is an analysis of the structure of the entire text and the connections between the individual stanzas. Any discovery of deliberate sequences, insertions, or potential omissions, which might indicate the specific aims of the compiler, as well as particular effects, such as mnemonics, will provide a new and unique contribution to the investigation of the anthology genre within Sanskrit literature, and thereby serve as a key to the question of how an anthology is embedded in the context of real life.