Aesthetics of the Roma: Literature, Comic and Film of Roma in Latin Europe

罗姆人（在这里被理解为异义名，包括辛提人、罗姆人、卡尔卡尔瓦什人、卡尔德拉什人、马努什人等所有亚群）是欧洲人口近1200万的最大少数民族。虽然罗姆人在东南欧的生活条件主要是不稳定的，但生活在西南欧的很大一部分罗姆人已经融入了各自的多数社会，他们大多定居下来，说当地语言。然而，那里的罗姆人仍然面临巨大的偏见和种族主义仇恨。文学研究通常通过分析“吉普赛人”的主题或主题、他们的生活方式、习俗和传统，在大多数社会的作者的文学文本中研究罗姆人和文学。拟议的科学网络的视角是不同的，并为浪漫文学研究提供了新的科学基础：研究小组的目标将是提出拉丁欧洲罗马不同美学的第一个全面研究。为了实现这一目标，需要探讨异性刻板印象对罗姆人在文学、漫画和电影中的审美自我表现的影响。重点是来自拉丁欧洲的罗姆人的作品，这些作品是用罗曼人的主要语言写成的，因此与来自多数社会的艺术家的作品在美学上形成了非常有趣的对比。这种对比比较的方法意味着一方面平衡自我与他人之间的异同、获取、影响和分离，另一方面平衡审美技巧和程序。由于罗姆社会是相当异质的，有各种各样的罗姆文化；同样地，我们必须谈论许多不同的美学。这种多样性和异质性通过关注拉丁欧洲而得到加强，拉丁欧洲拥有多种语言和文学和电影传统，因此网络群体基本上是相对运作的。罗姆艺术的特点是文化，语言和媒介边界的过剩。因此，中间性和跨文化性方面以及少数民族，散居，排斥，外围和移民领域将是非常重要的。为了研究罗姆文学、喜剧和电影的美学特征和特点，尽管接近媒体和文化研究，但研究工作的学科方向将是明确的文学方向。

The Roma (understood here as heteronym that includes all subgroups such as Sinti, Roma, Calé, Kalderash, Manouche, etc.) form with almost twelve million people the largest ethnic minority in Europe. While the living conditions of the Roma are primarily precarious in South Eastern Europe, a large proportion of Roma living in South Western Europe has integrated into the respective majority societies, lives mostly sedentary and speaks the local languages. Nevertheless, Roma also there continue to face massive prejudices and racist resentments.Literary Studies usually work on the subject Roma and literature by analysing the motif or topic of "Gypsies", their ways of life, customs and traditions in literary texts by authors of the majority society. The perspective of the proposed scientific network is focused differently and is providing new scientific ground in Romance Literary Studies: The aim of the research group will be to present the first comprehensive study of the different aesthetics of Roma in Latin Europe. To achieve this, the effects of heterostereotypes on the aesthetic self-representation of Roma in literature, comic and film need to be explored. The focus is on works by Roma from Latin Europe, which were written in the Romance majority languages and therefore are in an aesthetically highly interesting contrast with works by artists from the majority society. This contrastive comparative approach means balancing similarities and differences, acquisitions, influences and separations between self and other on the one hand and aesthetic techniques and procedures on the other. Since Romani societies are quite heterogeneous, there are a variety of Romani cultures; in the same way we have to speak of many, partly very different aesthetics. This diversity and heterogeneity is reinforced by focusing on Latin Europe, with its multitude of languages and literary and cinematic traditions, so that the network group is basically working comparatively. Romani art is characterized by the excess of cultural, linguistic and medial borders. Therefore the aspects intermediality and interculturality will be of great importance as well as the areas of minorities, diasporas, exclusion, peripherals and migration. With the objective to work out the aesthetic characteristics and peculiarities of Romani literature, comic and film, the disciplinary orientation of the research work will be a decidedly literary one despite the proximity to Media and Cultural Studies.