Coordination Funds

本更新提案总结了前24个月的联合研究工作，并描述了2021-2024年（36个月）的工作计划。地理分布的研究单位关注的是德国表演艺术中的“危机”概念，特别关注公共资助的口语和音乐剧以及独立舞台。该项目将“危机星座”一词理解为引发制度变革的一系列内生和外生因素。 在危机星座的意义上，不仅话语被命名，而且具体的经济、社会、历史、文化政治和审美领域也被命名。该研究项目的重点是以跨学科和多视角的方式确定这种结构。该项目的另一个目的是形成一种可操作的关于表演艺术的体制观点。研究小组由戏剧研究、音乐学、文化管理、劳工研究和政治学的分项目组成。第二个筹资阶段的特点是该集团发生了重大变化。首先，国际化的研究视角，旨在通过扩大研究的例子，以几个邻近的欧洲国家。第二，将对研究领域进行重组：新的专题是合法性的丧失和作为变革因素的治理，取代了以前的研究领域A（人口变化造成的文化崩溃）和B（公共领域的多元化）。领域C（劳动的异质化）和领域D（新美学）仍然是中心。第三，研究小组希望考虑到2020年3月所有剧院的关闭。研究单位假设，已经存在的制度危机因素将通过电晕危机得到加强。因此，森林研究所计划根据变化的情况调整其研究，以便在今后三年内借助一个跨部门项目详细审查这些影响。

The present renewal proposal summarises the joint research work of the first 24 months and describes the work programme for the years 2021-2024 (36 months). The geographically distributed research unit is concerned with the concept of 'crisis' in the performing arts in Germany, with a special focus on publicly financed spoken and musical theatre and the independent scene. The project understands the term 'crisis constellation' as a set of endogenous and exogenous factors that trigger institutional change. In the sense of the crisis constellation, not only discourses are named, but also concrete economic, social, historical, cultural-political and aesthetic domains. The research project focuses on determining this structure in an interdisciplinary and multi-perspectival manner. A further aim of the project is to develop an institutional perspective on the performing arts that can be operationalized. The research group is composed of subprojects from theatre studies, musicology, cultural management, labour studies and political science. The second funding phase is marked by significant changes for the group. Firstly, an internationalization of the research perspective is aimed at by extending the research examples to several neighboring European countries. Secondly, the research fields will be reorganized: new are the topics (De-)legitimation and Governance as a Transformational Factor, which replace the former research fields A (Enculturative Breakdown through Demographic Change) and B (Pluralization of the Public Sphere). Fields C (Heterogenization of labour) and D (New Aesthetic Formats) remain central. Thirdly, the research group wants to take into account the closure of all theatres in March 2020. The research unit assumes that the already existing institutional crisis factors will be strengthened by the corona crisis. The FOR therefore plans to adapt its research to the changed circumstances in order to examine these effects in detail over the next three years with the help of a cross-sectional project.