The representation of "avant-garde music" in the 1920s French musical criticism

这个项目调查了1910-1929年间的音乐评论，以澄清音乐期刊如何描述“前卫音乐”，以及他们在当时“法国音乐演变”的背景下如何评估。当时，评论家们希望证明法国在西方音乐史上的至高无上地位。为了实现这一目标，他们关注“前卫音乐”，在巴黎寻求语言音乐剧的创新，并意图授权法国音乐的演变。

This project investigates musical criticism between 1910-1929 in order to clarify how musial periodicals described “avant-garde music” and what they evaluated in the context of the “Evolution of French Music” at that time.At that time, critics desired to demonstrate the supremacy of France in the history of western music. To achieve that goal, they attracted attention to “avant-garde music”, sought the innovation of langage musical in Paris, and intended to authorize the evolution of French music.