The Study of the Architectural Drawings possessed by Honkouji Temple at Shimabara, Nagasaki Prefecture - Restoration of Architectural Drawings from Bibliographical and Paleographical Methods

作者报道了长崎县岛原市本口寺拥有的建筑图纸。这项研究的目的是：报告图纸的现状；其次，修复和恢复图纸，特别是用彩色纸制作的图纸；第三，明确绘画作品的特点和创作时期。本研究的要点概括如下：1)大部分用彩色纸绘制的图画，在日本很少发现，可能可以追溯到江户时代早期（直到Genna时代）到江户时代晚期。这些图纸涉及福津松寺家族的私宅；江户、京都和大阪的住宅；2)作者明确了他们的庄园中包含了什么样的建筑，以及这些建筑的平面图是怎样的。特别是江户住喜桥的神屋（主要住宅）的发展，带来了从1691年（元禄时代4年）到1856年（安生时代3年）的12幅图纸。通过对这些图纸的分析，在江户时代后期，当封建领主搬到中屋（副住所）时，住宅的平面类型已经简化了。3)从制作和绘制方法的角度来看，这些图纸与江户幕府“大kukuashira”地位的中井家族所拥有的图纸非常相似，他们控制着关西地区六省的木匠。然而，笔者发现在图纸上有一些特殊的技巧：一些使用唐风纸，这种纸通常用于建筑物的内墙，而不是用于建筑图纸；其他人用他们的底座剪下彩色纸，上面画着建筑平面图，然后粘贴在其他底座上。

The authors report about the architectural drawings possessed by Honkouji temple at Shimabara, Nagasaki Prefecture. The objectives of the study are : to report the drawings as they are ; secondly, to repair and restore the drawings, especially the drawings made from colored papers ; and thirdly to make it clear the characters and product period of the drawings. The essential and main points of the present study will be summarized as follows1)Most of the drawings made from colored paper, which are rarely found in Japan, and might be dated from the early Edo period (up to the Genna age) to late Edo period. The drawings deal with the demesne of the Fukouzu Matsudaira Clan ; the residences of Edo, Kyoto, and Osaka ; Koukei Garden and Keika Garden built in the estate of Matsudaira Clan.2)The authors make it clear how kinds of buildings contained in their estate, and how were the plans of the buildings. Especially, developments of Kami-yashiki (the main residence) at Sukiyabashi, Edo, brought right from twelve drawings, which dated from 1691 (4^<th> year of Genroku age) to 1856 (3^<rd> year of Ansei age). After the analysis of these drawings, the plan type of the residence had been simplified by the late Edo period, when the feudal lord moved to Naka-yashiki (the sub-residence).3)From the viewpoints of produce and drawing method, these drawings are quite similar to the drawings possessed by Nakai family, who was in the position of ‘Daikugashira' of Edo shogun ate and were controlling the carpenters who lived in six provinces of the Kansai district. However, the authors found out some special techniques on the drawings: some used Tang style papers, which is usually used for inner walls of buildings, not for architectural drawings; others had cut the colored papers with their mounts, which painted building plans, and then pasted on the other mounts.