THE WORLD WARS AND RUSSIA: HISTORICAL STUDIES ON POLITICS AND CULTURE

这一研究项目旨在分析世界大战影响下政治、经济、文化和艺术领域的多学科结构变化。它超越了科学研究补助金(B)(2)“两次世界大战之间的俄罗斯政治和文化史研究”这一研究项目的研究结果。在文化史方面，我们探讨了苏联艺术家和作家与苏联权力在恐怖时期、第二次世界大战期间和战后的互动。例如，龟山郁夫在他的文章《歌剧与权力斗争》中分析了斯大林对肖斯塔科维奇歌剧的严厉批评以及这场批评运动背后的政治气候。在政治史领域，有几篇文章通过后苏联政治话语和意识形态的棱镜来阐释苏联政治政权的现实。金比亚玛·伊果夫的专著《热情和欢快：斯大林戈德学导论》是跨学科工作的成果。他揭示了俄罗斯社会基础结构中的整体性和整体性，从而说明了苏联政治结构与俄罗斯思想暗流之间的互动关系。他的这本书不仅探讨了全面战争时期斯大林主义的权力机构和苏联文化的结构，而且试图为极权政权下的文化艺术研究开辟一条新的途径

This research project aimed at analyzing multidisciplinary structural changes in the fields of politics, economy, culture and arts under the influence of World Wars. It expanded beyond the findings made by the research project, grant-in-aid for scientific research (B) (2) "Historical Studies on Russian Politics and Culture during the Period between the World Wars" (1998-2000).In the area of cultural history, we inquired interactions between Soviet artists and writers, and the Soviet Power in the period of Terror, during World War II, and after the War. For example, KAMEYAMA Ikuo, in his article "Opera and Power Struggle," analyzed Stalin's severely critical comment on Shostakovich's opera and political climate behind this critical campaign. In the area of political history, several articles illuminated realities of Soviet political regime through the prism of the political discourse and the ideology in Post-Soviet Russia.KAMBYAMA Ikuo's monograph, Enthusiasm and Euphoria: An introduction to the Stalinogogy, was the fruits of tinterdisciplinary work. He threw light on aliness and totality in the base structure of Russian society, and thereby, illustrated interactions between political structure of the Soviet Union and the undercurrent of Russian thoughts. His book not only inquired Stalinist power apparatus and the structure of Soviet culture in the period of total-war, but also tried to develop a new approach for the study of culture and arts in totalitarian regime