Measurements of Artistic Creativity: their history and possibilities

这项研究有两个目的。一是明确以往研究中用来衡量艺术作品创造性程度的基本计量单位，并说明艺术史家为什么认为它对艺术创造性的衡量有用。第二个目标是与信息科学家合作，寻找一种新的测量方法，并将其应用于艺术品的解读，以探索其有效性。第一学年（2005.4-2006.3），我专注于第一个目标。我发表了题为《艺术品的科学研究最终会改变作者的意图吗？（2005年。6），“和”测量艺术史（2006.3）。“在第一篇论文中，我对比了当前对艺术品的技术调查，这些调查实际上是通过使用信息技术来测量它们，以及传统的艺术史。在那之后，我指出了它们之间的差异。在第二篇论文中，我清楚地表明，艺术史学家含蓄地使用了一个矩阵--我称之为 ...更多信息 在第二学年（2006.4-2007.3），我专注于第二个目标。首先我做了一个关于相似概念的有效性的演讲（2006.6，Bigaku-kai）。本文从分析美学和科学哲学的角度，论述了创造性概念的历史演变，探讨了相似性概念的可能性。最后提出，要与科学合作，就必须对创造力概念本身进行改造。然后，我与铃木康弘教授（计算机科学）和木田裕子女士合作，开始了关于在相似性的基础上建立艺术谱系，并将艺术创造力作为被复制能力进行衡量的可能性的研究。我在日本荣藏学院中部分支的演讲中提到了这项研究的成果（2007年2月），并与本山教授（信息设计）和铃木康弘教授在斯洛文尼亚合作，就使用视觉和触觉的交互作用的多感官设计进行了演讲（2006年9月）。关于这一介绍的论文已被接受，将于2007年发表。少

This research has two aims. The first is to make explicit the basic unit of measure, by which previous studies measure the degree of creativity in artworks, and make clear the reason why art historians think it as useful for the measurement of artistic creativity. The second is to find a new way of measurements in collaboration with information scientists and probe its effectiveness by applying it to the interpretation of artworks.In the first academic year (2005.4-2006.3) I concentrated on the first aim. I published papers entitled "Do Scientific Research on Artworks End Up With the Alteration of Authorial Intention? (2005. 6), " and "Measurements in Art History (2006.3)." In the first paper, I contrasted the current technical investigations of artworks, which actually measure them by using information technologies, and the traditional art history. After that I pointed out the discrepancy between them. In the second paper I made clear that art historians implicitly use a matrix--I cal … More l it the "matrix of resemblance"--when they measure the creativity of artworks.In the second academic year (2006.4-2007.3) I focused on the second aim. At first I made a presentation on the Effectiveness of the Concept of Resemblance (2006.6, Bigaku-kai). In this presentation I treated the historical transformation of the concept of creativity and probed the possibilities of the concept of resemblance from the point of analytic aesthetics and philosophy of science. Finally I proposed that we must transform the concept of creativity itself in order to collaborate with science. Then I started a study about the possibilities of making the artistic lineage on the basis of resemblance and of measuring artistic creativity as competence of being replicated in collaboration with Prof. Yasuhiro Suzuki (computer science) and Ms. Hiroko Kida. In my presentation at Nihon-Eizo-Gakkai-Chubu-branch I mentioned the results of this study (2007.2).In addition, I made another presentation on Multi-Sensory Design, which uses the interaction between vision and touch, in collaboration with Prof. Motoyama (information design) and Prof. Yasuhiro Suzuki at Slovenia(2006.9). The paper on this presentation was accepted and will be published in 2007. Less