Reflection-driven Artificial Intelligence in Art History – Explainable Hybrid Models for Image Search and Analysis
Reflection-driven Artificial Intelligence in Art History – Explainable Hybrid Models for Image Search and Analysis
批准号:
510048106
负责人:
Professor Dr. Ralph Ewerth
金额:
$0.0万
依托单位国家:
德国
项目类别:
Priority Programmes
财政年份:
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资助国家:
德国
项目状态:
未结题
起止时间:
中文摘要
该项目旨在为艺术史中图像相似性评估的使用提供实际的(在这种情况下是机器辅助的)和理论导向的考虑,其对科学知识过程的基本重要性得到广泛认可。这些考虑意在从两个方面区别于艺术史领域中为数不多的现有方法。首先,将利用广泛(数字化或数字化)文本清单形式的艺术史专业知识。为此,特定领域的知识图将以半自动和跨学科的方式创建,然后用于训练混合人工智能(AI)模型。其次,机器的性能不是简单地被推到可能的最大程度,而是我们的目标是使人工智能生成的结果更可解释——通过合并专家文本并将它们表示在机器可解释的知识图中——穿透数据驱动的深度学习模型的黑箱属性。因此,为了论证简单的可行性,我们在四个研究场景中进行了系统的反思性检查,在这些场景中,我们研究了不同的文本资源和知识图对人工智能生成结果的影响,并最终对艺术史研究过程的影响。特别是,我们希望利用在优先计划(SPP)第一阶段会议期间出现的关于在艺术史中应用人工智能方法的问题的讨论。我们项目的观点是通过解决使用人工智能的方法问题,确保人工智能得到更大的接受,人工智能在人文学科中通常受到严厉批评。
英文摘要
The project aims to provide both practically, in this case machine-aided, and theoretically oriented considerations on the use of image similarity assessments in art history, whose fundamental importance for scientific knowledge processes is widely recognized. These considerations are intended to differ from the few existing approaches in the field of art history in two respects. First, art-historical expertise in the form of extensive (digitized or digitally available) text inventories will be exploited. For this purpose, domain-specific knowledge graphs are to be created in a semi-automatic and interdisciplinary effort, and then used to train hybrid artificial intelligence (AI) models. Second, the performance of the machine is not simply to be pushed to the furthest extent possible, but rather we aim to make the AI-generated results more explainable—by incorporating expert texts and representing them in machine-interpretable knowledge graphs—to penetrate the black-box property of data-driven deep learning models. The demonstration of plain feasibility is thus accompanied by a systematic reflexive examination in four research scenarios, where we investigate the impact of different text resources and knowledge graphs on AI-generated results, and eventually on art-historical research processes. In particular, we want to draw on discussions about the problems of applying AI methods in art history that arose during meetings of the first phase of the Priority Program (SPP). The perspective of our project is to secure greater acceptance for AI, which is generally heavily criticized in the humanities, by addressing the methodological problems of using it.
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