MEDIA AND ART

本研究是在以下三个研究框架内展开的：1、对20世纪媒介与艺术的关系史进行了研究，并参考了本研究收集到的文献资料。当我们研究大众传媒和美术之间的关系时，我们考察了艺术传媒的技术演变过程。这些研究包括三个主题。第一个主题是20世纪20年代印刷摄影和电影时代的前卫艺术和现代设计的运动。第二个是电视时代的波普艺术和流派。二是从美学和后结构主义后艺术理论的角度审视传统符号学、信息论和结构主义的可能性和局限性。三是从艺术技术学的角度考察20世纪60年代、80年代以后的计算机与艺术的关系史，尤其是界面技术。我们关注艺术活动的个体性和巨大技术的差异性，试图对这些问题进行批判性的审视。

This research was done in the three frames of studies as follows.1, We studied on the history of relations between media and arts in the 20th - century, making reference to the documents that had been collected for this research. While we investigated the relations between mass - media and fine art , we examined the process of technical evolution in art mediums. The studies consist of the three themes. The first theme is the movement of Avant - Gard arts and modern design in the age of printed - photgraphy and film in 1920s. The second is the Pop art and the Fluxus in the age of television. And the last is the postmodern movements of arts from 1970s to today in the age of malti - media.2, Mainly from the point of the aesthetics and the theory of the arts after the post - structualism, we tried to examine possibilities and limits of the traditional semiotics, information - theorie , and structuralism.3, From the point of the art - technology we tried to study the history of the relation between computer and art, especially in connection with interface technology after the 1960's. the 1980's. We paid attention to the individuality of artistic activity and the otherness of enormous technology and tried to examine these problem critically.