From Commedia dell'Arte to Drame Bourgeois - Theater as a Mirror of Venetian Society in the 18^<th> Century -

本研究旨在阅读或发现，在1761年卡罗·哥尔多尼的《乡村别墅》三部曲中，反映了威尼斯共和国同时进行的政治斗争。这场政治斗争是在一个名叫安杰洛·奎里尼的年轻贵族领导的改革派和一个以国家检察官最高法庭为政治基础的保守派之间爆发的。在这种政治背景下，戈尔多尼三部曲的普通观众，他们中的大多数人因贵族垄断而被排除在威尼斯政治之外，必须将年轻大胆的女士贾辛塔的角色作为激进改革主义者的象征，并且必须在老威尼斯商人Fulgenzio的角色中认识到光荣传统和常识的保守捍卫者的代表。在一个病房里，似乎很可能是当代威尼斯人喜欢三部曲作为一个戏剧的主题。

This research aims at reading or finding out, within the Trilogy of "Villeggiatura" (Country Villa) written by Carlo Goldoni in 1761, a reflection of the political strife progressing at the same time in the Venetian Republic. This political struggle has broken out between the reformist group, the "Querinisti" guided by a young nobleman called Angelo Querini, and the conservatives called "Tribunisti" by their political base in the Supreme Tribunal of the Inquisitors of State. In this political background, the ordinary spectators of Goldoni's Trilogy, most of them excluded from the Venetian Politic for its monopolization by the nobles, must have idenfified the part of young bold lady Giacinta as a symbol of radical reformists, and must have recognized in the part of old Venetian merchant Fulgenzio a delegate of conservative defenders of Glorious Tradition and Common Sense. In a ward, it seems very probable that the contemporary Venetian people enjoyed the Trilogy as a drama on the topic of the day.