A STUDY ON THE KAGURA PERFORMANCES IN THE NORTHERN PART OF KYUSHU

在明治时代的早期，神道教士扮演香仓是被政府禁止的。从那时起，卡古拉的表演一直由教区居民的支持者组织保持，并进行了多次变身。但在太平洋战争之后，宗教自由得到了宪法的保障。因此，神道教士重组了许多香仓团体，特别是在九州地区。研究目的是获得九州北部地区，即福冈、长崎等地香仓的各种信息。明治维新后的历史进程2。舞蹈、音乐、演讲和故事的结构。每组之间的互动4.游戏和节目的鲜明特点和特点。作为结果，明确了以下几个问题。日本神话对游戏的影响，如“天岩洞”。各组别各具特色的乐舞。游戏、生产等方面的变化。太平洋战争后，新正神社的许多组织进行了重组，但目前的情况还不够充分。不幸的是，每个香仓团体都在遭受年轻成员减少的痛苦。

In the early years of the Meiji era, to play Kagura by the Shinto priests had been forbidden by the Government. Since then, Kagura performances have been maintained by the supporters' organizations in the parishioners with many transfigurations. But after the Pacific War, the freedom of religion has been guaranteed by the Constitution. And so many Kagura groups by the Shinto priests were reorganized, especially in the Kyushu area.The research intends to get various information about the Kagura in the northern part of Kyushu, that is, Fukuoka, Nagasaki, and so on.1. Historical course after the Meiji restoration2. Structures of dances, music, speeches and stories.3. Interaction between each groups4. Distinctive features and peculiarities of play and program.As the results, following issues are made clear.1. Influences of the Japanese myth on play, for example, "AME NO IWATO (The Heavenly Rock-Cave)".2. Various characteristics of music and dances of each group3. Changes of play, production, and the like.4. Many organizations of SHINSHOKU KAGURA (Kagura by the Shito priest) have been reorganized after the Pacific War, but they are not in sufficient situation now.5. Every Kagura groups, unfortunately, have been suffering from the decrease of young members.