Infinity and Covered Intensities in Paradise Lost : Ideal History of Organic and Nomadic representations

1. 宇宙学的结构：(1)在《失乐园》成书的17世纪，一些地图的投影方法是通过微积分、数值积分等数学公式得到的。他们比以往任何时候都更令人信服地揭示出，当地图绘制者绘制三维地球时，他们必须在地图的二维平面上以某种方式包括不可表示的无限。(2)在《失乐园》的宇宙论中，上帝的儿子被描绘为在他的创造活动中包含无限，同时，天堂作为一堵墙来限制无限。无限被包裹了两次，但仍然穿过这两个障碍，揭示了它不可代表的本质。(3)叙述者在史诗中完全无视无限性的滑移，以自己的有机表现方式寄托自己。2. 上帝的概念：这首诗中出现了两种不同的叙述者：一种认为他可以用……更薄的有机表征来囚禁无限。另一个无意识地暗示我们应该接受他的描述的表面价值接受它作为现实本身的表面价值尽管他声称接受它作为隐喻。(2)具有讽刺意味的是，后一个叙述者的存在使我们相信上帝和无限超出了有机表现的范围。3. 唯物主义科学：(1)关于圣灵的最终教义并没有在尼西亚大公会议上提出。在大公会议之前，这一直是备受尊敬的早期教会神父们争论的焦点，甚至在六世纪仍是如此。在文艺复兴时期，圣灵经常被描绘成光。在古典时代，科学上认为光是由被称为原子的微小粒子组成的，直到17世纪仍然如此。(3)把圣灵当作光的观念，与文艺复兴时期新柏拉图主义关于人借着光上升到上帝的世界的观念融合在一起。(4)在唯物主义和哲学的语境中，圣灵相当于德勒兹所说的强度，但在《失乐园》的有机代表中，它的生命尺度被缩小了。少

1. The Structure of Cosmology : (1) In the seventeenth-century when Paradise Lost written, some map projection methods were obtained by mathematical formula such as the calculus and the numerical integration. They revealed more convincingly than ever before that mapmakers had to include unrepresentable infinity in some way or other within the two-dimensional plane of the map when they project the three-dimensional globe. (2) Within the cosmology of Paradise Lost, the Son of God is represented to encompass infinity within has act of Creation, and at the same time the Heaven works as a wall to circumscribe infinity. Infinity is enveloped twice, but still makes it way through these two barriers to reveal is unrepresentable nature. (3) The narrator in the epic totally disregarded the slippage of infinity, and confided in his own way of organic representation. 2. The Concept of God : Two different kinds of narrators are present in the poem : one who assumed that he could impound infinity wi … More thin the organic representation. and the other who unconsciously revealed that we should accept his description at his face value at its face value as reality itself despite his claim to accept as a metaphor. (2) Ironically, the presence of the latter narrator convinces us that God and infinity are beyond the range of organic representation. 3. The Science of Materialism : (1) The definitive doctrine of the Holy Spirit was not set forth in the Nicaea Council. It had been a bone of contention among the respected Early Church fathers before the Council, and continued to be so even in the sixth century. (2) The Holy Spirit had frequently been represented as light in the Renaissance. Light used to be considered in science to consist of material minute particles named atoms in the classical antiquity, and was still so in the seventeenth century. (3) The idea of the Holy Spirit as light was merged into Renaissance Neo-Platonic idea of man's ascent to the World of God by means of light. (4)The Holy spirit within the context of materialism and Philosophy was equivalent to what Giles Deleuze called intensity, but its lifesize figure was reduced by the organic representative in Paradise Lost. Less