A Study of Modern English Poetry: Larkin, Yeats and Heaney

在这个项目中，我主要关注的是菲利普·拉金的诗歌。B。叶芝和希尼。本文选取了这些诗人的主要作品，并对其文体特征进行了探讨。语言形式和文学意义之间的微妙关系。尤其是押韵，尽管它在诗歌中有着重要的地位，但迄今为止对押韵的研究还很少。这项研究的结果是一篇文章，“押韵风格：以拉金，叶芝和希尼为例”（2003年）。我还在“菲利普·<Seminar on English Poetry>拉金，《爆炸》”（2002）中说明了形式和内容之间的关系。我在这里的讨论是建立在仔细阅读这首诗的基础上的。我写了另一篇关于同一位诗人的文章，《菲利普·拉金：战后英国文学的主导精神》（2000），描述了拉金的生活和工作。我也和W. H.奥登在《W. H.奥登：诗歌影响历史吗？“（2000年）。除了这些文章，我还写了一章关于W.B.叶芝在一本书中，为那些谁研究英语诗歌（2000年）和翻译凯蒂威尔士的文体学词典（2000年）的一部分。

My main concern in this project has been the poetry of Philip Larkin, W. B. Yeats and Heaney. I chose some of the major pieces from these poets and investigated their stylistic features to elucidate. the subtle relationship between linguistic form and literary meaning. In particular, I payed special attention to rhyme, since very little study has been made so far on rhyme style, it spite of its important role in poetry. This study resulted in an article, "Rhyme Style: with Examples from Larkin, Yeats and Heaney" (2003). I also illustrated the relationship between form and content it "<Seminar on English Poetry> Philip Larkin, 'The Explosion'" (2002). My discussion here is founded on close reading of the poem. I wrote another article on the same poet, "Philip Larkin : The Ruling Spirit of Postwar English Literature" (2000), which describes Larkin's life and work. I also dealt with W.H. Auden's life and work in "W.H. Auden: Does Poetry Influence History?" (2000). In addition to these articles, I wrote a chapter on W.B. Yeats in a book, For Those Who Study English Poetry (2000) and translated part of Katie Wales's A Dictionary of Stylistics(2000).